9 DAYS – 33 FIELDS – 33 ARTISTS
Thirty-three artists will send live broadcasts from fields direct to your desktop. All works, whether video, animation, performance, sculpture or live data will be created in the field with no editing or post-production. Each broadcast will be viewed by a dispersed international audience, at office desks, in cafes, on trains and at kitchen tables.
To receive the field broadcasts go to www.fieldbroadcast.org and follow the instructions. Once you have installed the viewer application each broadcast will arrive directly to your desktop, through your internet connection, opening in a pop-up window.
Field Broadcast will be live for 24 hours a day from May 8th to May 16th. Times of individual broadcasts will not be published in advance. All broadcasts are live and will not be repeated.
Artists: Bram Thomas Arnold, Ed Atkins, Dave Ball, Christopher Bassford and Jonathan Ryall, Richard Bevan, Sara Bjarland, Martin John Callanan, Susan Collins, Dan Coopey, Alexander Costello, David Cotterrell, Michael Cousin, Juan Cruz, Sean Edwards, Simon Faithfull, Florencia Guillen, Hamilton, Southern and St Armand, Toby Huddlestone, Fritha Jenkins, David Kefford, Olivier Leger, Pernille Leggat Ramfelt, Neil Luck, Revati Mann, Elizabeth McTernan, Alex Pearl, Eric Rosoman, Jennie Savage, Rob Smith, Dan Walwin, Ian Whittlesea, Luke Williams, Laura Wilson.
Curated by Rebecca Birch and Rob Smith for PROJECKT in conjunction with Wysing Arts Contemporary Presents
I need your vote… my work ‘I Wanted To See All the News From Today’ is a finalist in the first FILE Lux Prix for electronic and digital art.
To vote simply select the work ‘I Wanted To See All the News From Today’, enter your email address to vote, then verify your vote by clicking on the link you receive to your inbox.
FILE PRIX LUX has the intent of rewarding, motivating and stimulating the emergence of new talents in the area of electronic and digital languages. Since 2000, FILE – Electronic Language International Festival constitutes an international interdisciplinary platform for the development of innovative and creative projects in the area of arts and technologies. FILE is a cultural, nonprofit organization that promotes a reflection on the main themes of the global contemporary electronic-digital context, always in a transdisciplinary vision in the political complexity of our time’s cultural universe. For ten years now, FILE has collaborated, through exhibitions and symposiums, with the aesthetic-technological development that the new electronic-digital languages offer to contemporary cultures, as well as it has positioned Brazil in the world context of those new trends. In 2010, FILE will accomplish a long-awaited objective: to award to some of the projects an international prize in money.
Thank you!
Greg J. Smith writes an interesting article contributing to a distributed discussion looking at naturally occurring processes and forms—specifically, glaciers, islands, and storms—and to ask how these might be subject to architectural re-design.
Web Biennial 10 at Istanbul Contemporary Art Museum includes I Wanted to See All of the News From Today, in the Cüneyt Budak Pavillion.
Sound waves broadcast in space and captured by powerful antennas. A steamy repetition creating an environment open to different contributions, pervaded by the energies of the artists themselves, who were invited to focus their attention on those deceitful mechanisms that are always in play at the interchange between infosphere and psychosphere. Different types of data, sounds and magnetism: all these elements poetically meet in multimedia, which is here the synesthetic melting pot of experimental sound compositions. This collective, which promotes the Radio Tower Xchange project, by connecting online performances and audio art events, wants to pay homage and at the same time criticize the “broadcasting philosophies”, embodied in the “symbolism” of radio towers themselves. Technologies for sharing that are evolving towards direct transmission, not “for the audience” but “from the audience” which, thanks to WiFi networks and the multiplication of “emission points” and the simultaneous demand for those inputs, pave the way to the emergence of new systemic chains. Neural Review.
The idea behind this event is both paying homage and a critique of the broadcasting philosophies and histories the radio towers represent, and an investigation into the evolving practice of unregulated online broadcasting. [Adam Hyde]
In 2007 Xchange network for alternative audio content providers and Net broadcasters celebrated its 10th anniversary. RTX event was co-organised by RIXC (Riga, Latvia) in collaboration with partners: Okno (Brussels/BE), Tesla (Berlin/DE), Ellipse (Tours/FR), Projekt Atol (Ljubljana/SI), and Performing Pictures / Interactive Institute (Stockholm/SE) in the framework of the project “Waves – electromagnetic waves as material and medium for arts” (2006-2007). Live audio and sound art contributions; Martin John Callannan. Sonification of You. Horia Cosmin Samoïla / Spectral Investigations Collective. VLF in Paris Jan-Peter E.R. Sonntag. Campa-Sacrow Nils Edvardsson. Power Lines in Sweden Clausthome. Solar Radio Station Superfactory. Ringsendungen live stream from Bratislava (elpueblodechina, Isjtar, Annemie Maes and code31) live stream from Brussels (Society of Algorithm) live stream from Orleans (GSA Psy Ops Soundsystem) stream from Ljubljana (DJ Woo and Fennesz) Support: Latvian State Cultural Capital Foundation, Latvian Ministry of Culture, Culture 2000
Two of my websites are among the 42 archived in the British Library’s Digital Lives special collection
Collection of Internet sites selected to illustrate the growth of personal digital content on the WWW. As digital technology has become more accessible the individual increasingly has the means to edit, store and distribute personal material feeding a burgeoning trend for digital creativity and consumption. This collection exhibits the various forms of this output such as weblogs, articles, portfolios of work, audio and visual recordings.
Data Soliloquies is a book about the extraordinary cultural fluidity of scientific data. A wide array of graphs, charts, computer models and other forms of visual advocacy have become inescapable fixtures of public science presentations, though they are often treated as if they were neutral ‘found objects’ rather than elaborate narrative constructions containing high levels of statistical uncertainty. Through a mix of essays and artworks, this witty and engaging book — the result of a collaboration between Richard Hamblyn and Martin John Callanan during their terms as writer and artist in residence at the UCL Environment Institute — examines the theatricality of scientific data display, while critiquing some of the poorly designed statistical wallpaper that surrounds so much public science debate.
ISBN 9780903305044 (January 2010)
Available for order on Sladepress.com
Reviews
Furtherfield, Pau Waelder
From interrogating Nicolas Bourriaud’s ideas of a new age of the altermodern to the daily life of a political actitivist in the World Bank-backed last dictatorship in Europe -Belarus, You Are Here goes a way to offering a sort of field book for contemporary Europe. A continent where young artists and activists blend forms and travel in their work, living in one country while all the while subtly interrogating their home countries’ traditions and expectations. A generation has come of age in a post- Wall Europe who no longer feel obligated to answer the national questions, but instead answer to their unique personal experience, one of borderless work and travel, mediated by translation and the Internet. Such instances of artistic, intellectual and activist projects are given space in You Are Here, offering the chance to see whether such young practitioners really are writing from a freedom and plurality born in 1989 back into a new, wider and pan-European tradition in 2009.
Edited by Line Madsen Simenstad and John Holten
Texts and artwork by Ann Cotton (AUS), Anna Bro (DK), Agnieszka Drotkiewicz (POL),
Martin John Callanan (UK), Volha Martynenka (BEL), Francesca Musiani (IT), Christophe Van
Gerrewey (BE), Urszula Wozniak (GER)
9 November, 2009
English (with Polish, German, Belarussian, Danish)
ISBN 978-3-00-028868-5
Book Release Party @ Basso Berlin (Köpenickerstr 187, Berlin-Kreuzberg) 21 Uhr, Mittwoch, 11. November
Today, I become decamillesimal as I turn 10,000 days old.
This two-day symposium brings together scientists, artists, social scientists and policy-makers to explore scientific controversy from an interdisciplinary perspective. From esoteric arguments over the structure of the universe to highly charged public controversies around the use of stem cells, Eye of the Storm will touch on brilliance and ego, dissent and whistle-blowing, big science, high finance, deviant science, the reliability of knowledge and the legislation of uncertainty.
Martin John Callanan as Artist in Residence at UCL Environment Institute, alongside Richard Hamblyn the Writer in Residence, will be presenting.
Organised in collaboration with and supported by The Arts Catalyst and Tate Britain in association with Leonardo/OLATS
Tate Britain Auditorium (booking required)
Friday 19 June 2009, 10.00–19.30
Saturday 20 June 2009, 10.00–17.30
The UCL Environment Institute, Slade School of Fine Art, and David & Charles Publishers invite you to an evening reception to celebrate
the unveiling of Martin John Callanan’s A Planetary Order (Terrestrial Cloud Globe)
and the publication of Richard Hamblyn’s Extraordinary Clouds
on Tuesday 30th June 2009, 6:30-9:00pm
at the Main Quadrangle, University College London, Gower Street, London WC1E 6BT
I Wanted to See All of the News From Today will be at FILE Rio de Janeiro 2009.
Martin John Callanan is Okay will be shown at encoding_experience/ Plimsoll Gallery, University of Tasmania, Australia. 10 October – 31 October 2008
encoding_experience/ is the first of a series of exhibitions inspired by the ways in which artists are embracing critical, hands on interventive strategies towards the understanding of, and experimentation with media. The artists in the show open up issues of privacy, piracy and control, paradigms that are deeply embedded into technology and the way technology is designed. Most of the artists favour a collaborative, socio-centric approach to their work. They have an agenda about thinking through questions such as; Where does the technology come from? What is the real use of a computer? What are the social issues around regular access to domestic machines i.e. game consoles, home stereos and digital cameras. How do we use and question systems that tirelessly reproduce and augment environments, image and sound?
Actively engaging with conceptual concerns, DaDa-esque notions of performance, hacking and intellectual property; encoding_experience presents an insight into how electronic media and craft knowledge operates in current art practice, not only in terms of its functionality, but also in regards to artists who have a critical approach towards the politics, aesthetics and ecconomies coded into these systems.
Just received in the post: the publication from exhibition last year in Germany. The premiere of Location of I.
ISBN: 978-3-9812208-0-3
Sonification of You will be installed at Netaudio London 2008.
Netaudio’08 will take place from 22nd to 25th October 2008 at Shunt Lounge, London SE1. It will celebrate the creative output of networked musicians and online communities with talks, workshops, showcases and performances.
Netaudio’08 will play host to a broad range of live musical acts all the way from well established musicians through to undiscovered new talent – the only criteria is that they sound good and that they engage via the medium of the Internet. Musically Netaudio’08 will provide a programme spanning genres and cultural boundaries and embracing the widest possible selection of sounds humming through the Internet.
Within the conference side of the festival, Netaudio’08 will explore the creative practice and merit of digital networking tools. Workshops will share knowledge about music production and digital distribution whilst presentations will take a lead in the discussion of altered user behavior in the networked society – both aiming to engage the thought provoking process of music production, distribution and consumption in an age of networked communication.
Ben Worthy at UCL’s Constitution Unit just sent me the transcript of a speech about the UK Freedom of information Act Lord Chancellor Charles Falconer gave at the British Academy in February 2006, which makes reference to my Letters:
We have seen a vast number of requests to find out information about issues which really do add value to people’s lives, or to the sum of human knowledge, or to research. And making a positive contribution to the quality, accuracy and completeness of public debate. This is exactly why we brought in this legislation.
However, it is also true, inevitably, that this culture is being undermined by requests under the Act which arguably do not impact so positively – like what a central government department spends on toilet paper or make-up, or whether written proof can be provided under the Act of a Minister’s existence.
Responsible users of the Act and supporters of the legislation would surely agree that these sorts of requests are frivolous, and sometimes even vexatious, and that spending time answering them is not how public resources ought to be used.
The Information Commissioner has made his position abundantly clear. He has said that claims that are ‘manifestly unreasonable’ should be resisted under section 14 of the Act – claims which would serve no public good or impose substantial burdens on the financial and human resources of public authorities.
My department will be issuing guidance complementing that from the Information Commissioner, to help public authorities handle these types of requests.
I don’t believe this is a concern in terms of requests from the academic community – but it is a serious issue for the operation of Freedom of Information as a whole.
Text Trends has been stored into the Rhizome ArtBase
Eleven will be screened at Urban Screens Melbourne, 6-8 October 2008
The event will promote a lateral trans-disciplinary approach to exploring the growing appearance of moving images in urban space and the global transformation of public culture in the context of large new multi media precincts such as Federation Square and various networked forms of urban screens. It will build on the successful events held in Amsterdam in 2005 and Manchester in 2007 and will be the first Urban Screens held in the Asia-Pacific region.
Through an integrated program of keynote lectures, panel sessions, workshops, curated screenings and multimedia projects, it will bring together leading Australian and international artists and curators, architects and urban planners, screen operators and content providers, technology manufacturers, software designers and public intellectuals.
The residency last year in Latvia was part of At Home In Europe, the 185 page publication and 2 DVD is now out. Features text about all four artist’s work.
Includes my article An Ethnology of Solitude.
I Wanted To See All the News From Today, currently at:
FILE 2008 Electronic Language International Festival happens this August at the Fiesp Cultural Center. FILE, the major art and technology festival in Brazil and Latin America, as well as one of the most renowned events in the world in this area, for nine years has inserted the country in the global context of art and technology, or media art, performing a compilation of the artistic productions in the fields of electronic and digital arts, and working as an indicator of those productions’ plurality.
Given the diversity of digital culture, FILE is an event that nests several festivals, which occur simultaneously and this year include: electronic art festival, games festival, digital movies festival, documental film festival, electronic music festival, innovations festival, electronic graffiti festival. Moreover, FILE offers an international symposium, an archive with more than 2,000 works and a laboratory for the production and development of new works, FILE Labo.
Eleven will be screened tonight at the 30th Moscow International Film Festival
second review for Text Trends at Infosthetics
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- 1. News (71)
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- 3. Works (162)
- A Planetary Order (11)
- All News from Today (30)
- All the people who have ever lived (3)
- and will ever live (1)
- Audio (8)
- Data Soliloquies (3)
- Dear Editor (3)
- Eleven (2)
- Final Solution (2)
- I am Still Alive (8)
- International Directory of Fictitious Telephone Numbers (5)
- itakephotos (11)
- Grounds (2)
- Letters (19)
- Location of I (36)
- Okay (5)
- Sonification of You (23)
- Spiral of Silence (3)
- Text Trends (6)
- Where Are You Now (1)
- Whole of Everything (2)
- Whole of London (2)
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This blog was originally created with support from At Home in Europe, to document residency time at Riga Centre for New Media Culture RIXC, Latvia. Full details here.
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