Monday, 29 October 2007, 9:12

Today I shall be speaking on noise in relation to my research, as a guest lecturer at University College for the Creative Arts at Maidstone
to Experimental Artists Film Video and Photography research group.
Friday, 26 October 2007, 1:17
041209 Audio will be included in another exhibition
, this time Valencia, Spain in April – May 2008.
The participating artists:
Martin John Callanan (UK), Matthew MacKissack (UK), Jeff Morris (USA), Timo Kahlen (Germany), Tobias van Veen (Canada), Jesse La Flair;(USA), Sean O’Neill (USA), Jay Needham (USA), Andrew Burrell (Australia), Eloisa Escudeiro (Brazil), Paul Magee (UK), Dan Mikesell (USA), Dimitri Strakovsky (USA), Chad Eby (USA), Dario Lazaretto (Italy).
I’ve lost track a bit of where SoundLAB are showing 041209 Audio; you may find it in unexpected places.
Thursday, 25 October 2007, 1:47
Sam Easterby-Smith writes
:
…I figure he must be someone I was chatting to in the Cornerhouse or somesuch. A few more clicks and it became apparent that he is some crazy multimedia artist type and happens to be involved in a thing called the Velocity Festival based at Folly Pictures in Lancaster (where I used to hang out) and has been taking photographs of Morecambe Bay in some kind of interactive GPS-tracked SMS-influenced way and that this would all be visible from the “Map room” on platform 3 of Lancaster Station. His facebook status is currently “Martin is okay” a missive he has been repeating periodically for the last few weeks. What if Martin is not okay? What happens then? What if he’s got a cold or something? Anyway I still am not quite sure who he is…
Thursday, 18 October 2007, 22:36
This movie, built with data collected during the European Space Agency’s Huygens probe on Jan. 14, 2005, shows the operation of the Descent Imager/Spectral Radiometer camera during its descent and after touchdown. The almost four-hour-long operation of the camera is shown in less than five minutes. That’s 40 times the actual speed up to landing and 100 times the actual speed thereafter.
The first part of the movie shows how Titan looked to the camera as it acquired more and more images during the probe’s descent. Each image has a small field of view, and dozens of images were made into mosaics of the whole scene.
Sounds from a left speaker trace Huygens’ motion, with tones changing with rotational speed and the tilt of the parachute. There also are clicks that clock the rotational counter, as well as sounds for the probe’s heat shield hitting Titan’s atmosphere, parachute deployments, heat shield release, jettison of the camera cover and touchdown.
Sounds from a right speaker go with the Descent Imager/Spectral Radiometer activity. There’s a continuous tone that represents the strength of Huygens’ signal to Cassini. Then there are 13 different chimes – one for each of instrument’s 13 different science parts – that keep time with flashing-white-dot exposure counters. During its descent, the Descent Imager/Spectral Radiometer took 3,500 exposures.
Thursday, 18 October 2007, 19:06
Photographs of Morecambe Bay taken 13 October 2007
Thursday, 18 October 2007, 18:33
Where Are You Now: A new Facebook group. (Selected for Rhizome ArtBase)
Friday, 12 October 2007, 1:29
For one day only – Saturday 13th October
Martin John Callanan will travel around the Velocity festival, sending information about his whereabouts to an online map in our Lancaster map room. Visit the map room at the station and help us to track the artist’s location throughout the day. Interact with Martin through text messages, photography and drawing as he visits towns, stations and landmarks around the bay.
A Big Draw event.
Venue: Map Room, Platform 3, Lancaster Station.
www.folly.co.uk/velocity
The journey is now documented here
Thursday, 11 October 2007, 16:38


Two new Grounds: Barbican Centre building works and one of Birmingham’s city centre summer beaches.
Monday, 8 October 2007, 19:31
Delegate at the Flagship Projects Day of The Location and Timing Knowledge Transfer Network
, National Physical Laboratory
. NPL is home to the UK’s atomic time scale and the focus for time and frequency measurements.
Sunday, 7 October 2007, 1:04
I Wanted to See All of the News From Today is included in a second Member Curated Exhibt over on Rhizome: Responding to the media with a different medium
. Jenny Bergen writes:
The news industry is changing. The days when the newspaper was the only available news source are gone. People don’t read the paper front to back and then sit on the porch talking about it; they sit on their couch and watch it on TV. But now TV as a news source is becoming inferior. The Internet is where it’s at. When there’s an accident or a major crisis, what kind of person will wait for the 9 o’clock news to come on, or read about it in tomorrow’s paper? No one. The Internet is fast and easy, and people are using it more and more to get their news. The Web also offers interactivity with the news, something that is not possible with a hard copy. Readers can click on links sending them to related pages, view slideshows and videos, and comment on an article. The popularity of online news has made a new medium possible for the public. Before, if you wanted to comment on an article, you would have to write out a letter and send it to the editor. Today, if a reader has something to say, he or she can simply post a comment on the story. This invention is making it possible for anyone to voice his or her opinion on an article. The pieces I’ve chosen for my exhibition are all related to news media and each artist’s reactions to it. … Seven pieces that touch on the subject of news, each with completely disparate ideas…
Sunday, 7 October 2007, 1:01
Two works, Location of I and I Wanted to See All of the News From Today are included in a Rhizome Member Curated Exhibit: To be Noticed by and Connected to Others
. Amy writes:
Upgrades, improvements, advancements: All are achievements that, in the digital age, aid in the continued betterment of everything from communication to work flow. In the beginning, when the Internet was “new” technology, it was a slow process to transfer or transmit information, but now faster ISP speeds allow people to quickly and easily communicate through the transmittal of files [1
]. However, while digital is inevitably on the rise in society, the actual personal level of things is on the decline.
Computers and humans are not naturally compatible and thus scientists are working to make interactions between the two easier. There is a whole psychology behind their findings and project, but more importantly, society is becoming more and more dependent on the use of computers or technology for communication [2
]. Humans, as a very basic instinct, long to connect with others, and are reaching out for any means of contact amidst the cold, impersonal digital landscape.
With Internet art, digitally produced art viewed online or ANYTHING that is displayed on or through a public domain, there is very little to hide. Once something is out there, it is exposed, and while whatever it is can be taken back, there is a high possibility that at least one person will see it before it is gone. Perhaps this is exactly why many artists prefer to make websites to display their work. Galleries could very well be considered out of date or old fashioned considering the rate at which art is displayed through the Internet.
In any case, I have found that artists (through their publicly-digitally-published art) seem to be reaching out for some sort of connection, whether it is to get someone’s attention or to reveal something personal or private to their viewers. Allowing others to see a side of oneself that is not usually apparent tends to form strange little bonds, and there is something strangely intriguing about knowing something about a complete stranger. This sort of information may come from a variety of places, or come in a variety of forms, but it gets where it is intended eventually. I hope that I have chosen a variety of pieces that will aid in showing the different methods used to communicate connections. In a general sense, we are all connected by the news and things happening in our own societies. Whether you are from the United States or Australia (or anywhere for that matter), SOMETHING is happening around you whether it is the same THING or not.
Martin John Callanan addresses this in his piece, “I Wanted to See All of the News From Today (a work in progress),” by displaying the front page of all printed papers, all on one web page. Bloggers that have reviewed this piece claim that he is making fun of how the news industry bombards its viewers with too much information [3
]. However, I would say that it is more of a direct statement that we should recognize and appreciate that everyone, though different, lives in this similar way of keeping up-to-date and thus connected.
[...]
Have you ever people-watched while sitting in a park or on a crowded bus and wondered what kind of people you were seeing? Who are they, what do they do? In Peoples, by Gregory Chatonsky, you get to find out the answers to your questions. By selecting a person from a crowd, you are directly sent to another page that continues on to randomly generate words and images pertaining to the particular person you chose.On the other hand, some artists like to invite their viewers into the own very personal lives. Martin John Callanan (from who I have chosen to include two pieces), in The Location of I, has mapped out his location for the whole world to see. He likes that he can easily be tracked by anyone, and yet he remains nearly un-findable. In any case, he has purposefully made his location apparent so that people will track him down.
Ellie Harrison, while not telling her location, has posted some he personal thoughts in combination with what she was drinking at the time. In her piece, Tea Blog, she presents her thoughts in a sort of random, and yet very structured way. It’s almost as if the viewer could be sitting with her conversing over the tea or coffee that accompanies her thought.
As a viewer, myself, I wondered after reading a few of her thoughts what I might be thinking in her situation … what is it that goes through my mind at first when I settling down to drink something that is most likely meant to sooth some tension. I don’t know, next time I drink a cup of tea, I may just consciously note what happens to be in my head at that time.
A true artist, whether digital or not, will make you think, and connect to you in some way. All of these pieces and their artists are very different, but even they are connected; not only by this art database/display arena (Rhizome.org), but by the fact that, as a viewer, I have found something about each piece or artist that triggered a response or feeling of connection.
Thursday, 4 October 2007, 1:54
At the Fourteenth Ministerial Council Meeting of The Organization for Security and Co-operation in Europe, Chairman Ambassador Bertrand de Crombrugghe, gave an address to representatives of participating States at the Hofburg on 21 December 2006, in which he stated:
By the way, and here I open a parenthesis, one of the pleasures of the Chairmanship is to receive all kinds of mail, some less related to the OSCE than others, some funnier than others. At the very beginning of 2006, I received a letter that I promised myself I would share with you in due course.
It is from a certain Mr. Martin John Callanan in London. I have no clue who this chap is or what his connection to the OSCE might be. His letter reads very simply: “Dear Chairman, I respect your authority.” Wonderful! How did the chap get this into his mind, I truly wondered! It seemed like a promising start to me, but I can assure you, it only inspired a short and wild dream, nothing more. I did not divulge it early in this Chairmanship. I feared I might be misunderstood.
Wednesday, 3 October 2007, 13:37
Festival Guide Online
Festival Brochure (PDF) now online.
Wednesday, 3 October 2007, 3:56
Tim Etchells writes about Letters 2004-2006:
…The desperate dryness and bureaucracy of the responses from Buckingham Palace through the Houses of Parliament contain a kind of residual melancholy, with the entities compelled by law to respond to a request that is effectively meaningless. I think what’s beautiful about his work is the utter blankness of the statements or questions he employs – there’s a kind of monosyllabic theatre to them, which seems far from the extended or baroque forms of letter-writing, video and telephone pranksterism we’re more or less drowning in these days…
Monday, 1 October 2007, 15:09

In the process of transferring ideas from notebooks to online…
I have longed to see the whole of everything, maybe I could understand better if I saw everything. The easiest – most complete – way to see everything would be view it all at once; in other words, the earth at once. [more]
This blog was originally created with support from At Home in Europe, to document residency time at Riga Centre for New Media Culture RIXC, Latvia. Full details here.
© 2007-08 Martin John Callanan, All Rights Reserved.