Friday, 30 November 2007, 1:01
Rumor has it the ICA Bookshop
has several copies of Letters 2004-2006
Friday, 30 November 2007, 0:58
Spatial Archives
, a Rhizome exhibit, curated by Jason Valdez, featuring I Wanted to See All of the News From Today.
The World Wide Web is an ever-expanding source for knowledge. More information is added with every passing moment. Like a library containing books, the Internet must find ways to sort out the never-ending flow of ideas. But in the case of the web, the available storage space seems unlimited. This is an illusion. There is of course a cap on the amount of information this amazing new medium can handle but hitting this imaginary ceiling is not likely. As technology grows and the rate at which information is processed increases, it becomes easier to cram everything into one place
Friday, 30 November 2007, 0:55
Everyday Life: the things that shape us
, a Rhizome Exhibit, curated by Andrea Margois, includes I Wanted to See All of the News From Today
Everyone is different. Identity is something that is unique to the individual. The moments in life that shape us into who we are and what we do are things that, often times, others are able to relate to. This collection tells a piece of those stories and connects us to the individual through auditory, visual and written recollections of events. We are given simple snapshots into their complex lives and leave feeling as if we know them and what they are about.
These are the front pages of newspapers from around the world. Updated daily, the newspaper has the ability to touch so many different lives. World news is something that affects us all, whether we pay close attention to it or not.
Monday, 26 November 2007, 23:47
Location of I will be live for the 10 year celebration of Trampoline
in Nottingham.
29th November 2007, Broadway Media Centre, Nottingham, 19.00 – Late
If we are not to be played and lost like Pawns scrabbling on the surface of a chessboard we need to understand the rules of the game we are engaged in.
As developers buy up our city centres for regeneration into ‘desirable properties for the market’, a similar appropriation is taking place within the spectrum that lies above. The air we breathe is itself becoming digital real estate, an intangible landscape carried on radio waves, filling the voids of our cities like Dark Matter.
The new city is coming – a city whose spaces are connected by hidden electronic passages and data crawl-throughs, spaces where our movements are traceable, recordable and identifiable by the litter of data we carelessly drop and the Web 2.0 we unwittingly spin in the chatter of our networks.
Trampoline celebrates over 10 years in new media art in November with a look at how artists are teaching themselves the game plan for this wireless, super conductive urban landscape that is emerging around us.
Sunday, 18 November 2007, 20:55
Greg is fascinated by newspapers and writes about I Wanted to See All the News from Today over on Serial Consign
:
Earlier this year, Martin John Callanan launched a project called I Wanted to See All the News from Today which mines feeds from hundreds of newspapers from around the world and sets up an impressive array of front pages. There are moments within this work when a few adjacent papers feature some of the same content illustrating the permutational quality of how stories are explored in different nodes across a network of texts.
Thursday, 15 November 2007, 3:46
Location of I included in a Rhizome Exhibit curated by Corey Richardson
:
This exhibition features four artworks that focus on aspects of surveillance and tracking of the private and public lives of humans in the world of today and the projects were brought together to hopefully expand our consciousness concerning the increasing lack of privacy in our lives today. With the remarkable advances that technology has gone through in the past several years, the lives of people in the world today are more public and available than ever before in history. In this world of Wireless internet, cell phones, digital cameras, credit cards, and surveillance cameras, we are being observed and tracked mare than ever before. It is hard to imagine how often someone is “tracked” everyday of their life and most people don’t think about it, but just like the three artists shown in this exhibition, I hope to open some eyes and get people thinking about the privacy issues of today. So, imagine if you wanted to disappear, hide, or vanish in today’s society. You would need to eliminate ways for anyone to track or watch you, but that is completely impossible it the world of today. That would mean no credit card use, the emails, no cell phone calls, and no internet, but even then, your information and records would still available online and there would still be cameras in every store, school, and on every corner. Staying private is impossible with just simple tasks in today’s life and that’s without even getting the FBI or CIA involved. Technology has made it impossible to “hide” from the world. Just think, Google earth is available to anyone in the world and it is just the tip of the capabilities when it comes to satellite and cameras so imagine what is considered “private” to the general public but is available to governments for surveillance. There are devices being used that the general public won’t know about for another ten years and advances in technology being made everyday. We all might as well live in glass houses, because there really is no private life available anymore.
Martin John Callanan’s artwork shows that it is impossible for the artist to “hide”. His location is constantly being recorded and made available on his site. This piece helps to show the point that we can easily be tracked in today’s world.
Thursday, 15 November 2007, 3:44
Location of I included in a Rhizome Exhibit curated by Michelle Graham
:
Privacy is something that is becoming more and more scarce in today’s electronic society. Where it doesn’t seem to bother some, others will go to great lengths to preserve what shreds they have left. Artists mirror the varying public opinions on this matter. Some such as Roch Forowicz want to bring to the attention of all that their privacy is being invaded without their knowledge or rather without their attention. It is general knowledge that there are surviellance cameras watching us when we enter certain areas. Without a second thought we pass by them and don’t think about them again. But if you do stop and think about it, our image is being captured, our actions are being recorded. The thought of Big Brother may cross your mind. It should, because you are being watched and you have no control over that record of your actions. That moment of your life no longer belongs to you, not alone at least. Forowicz saw the error in this and wanted to express his frustration in being observed. He transplanted a surviellance camera from one area to another. While not changing the function of the camera he did change its purpose. Generally the camera is not meant to allow the observed to become the observer. He projected the observed images up on the wall of the subway station they were walking into. This enabled them to immediately recognize the fact that they were being monitored. Because this was all deemed illegal, this act was short lived but very effective. On the other end of the spectrum there is British artist Ellie Harrison who is willing to share her private moments with anyone willing to log on. Everyday since January 1, 2006 she has faithfully made entries into her online journal. Entitled Tea Blog, appropriately Ellie Harrison records the first thought she has while enjoying her first warm beverage of the day. While not very informative it allows for a brief glimpse into the inner workings of her mind. Something that most people wouldn’t say out loud let alone share with the world, she puts it out there freely for all to read. Martin John Callanan also gives up his privacy freely. Through his work entitled Location I, he has enabled anyone to be able to learn his location at anytime. He has labeled himself an “absolute citizen”, he has made himself everyones neighbor although not physically. He wanted to make himself accessible for anyone to talk to, work with or just be able to contact him whenever and where ever he is. While all of these are taken to be true there is the possibility of false statements being made. We take it on good faith that the thoughts that Ellie Harrison are making in her Tea Blog really are her first thoughts, and that Martin John Callanan is where he says he is. These thoughts maybe intriguing, it may add an element of suspicion to the situation. There is room for interpretation and specutlation of the private lives that we are getting glimpses of. Whether it’s guessing the destinations of the people walking in and out of the subway, or the first thoughts of a women you’ll never meet or the location of a man you have no intention of ever contacting. It is interesting to have the knowledge and the ability to know more. The artist Ethan Ham recognized the interest in the stories behind the faces. He created art with a program that attempts to make facial recognitions. With this program he coupled photographs with short stories written by Benjamin Rosenbaum. Through this collaboration he created Anthroptic. While a photograph of someone of something appears you can listen to a story behind the photograph. Whether it is about someone they met or about the thoughts that were triggered by the photograph. There is a continuity between the story and the photograph that seems to bridge the gap and fill in the history. While watching the display there is no doubt that the two are meant to go together, it is a voyueristic experience. Like listening in on someones private conversation. Then you find out that it is actors reading Rosenbaums short stories and the photographs are random and the stories are not related. Privacy is the key to all of these works of art. Whether they are trying to preserve it, give it up or layer it beneath falsehood, privacy is a topic that all can relate to. I also believe it is human nature to be interested in others lives, it can be like reading a good book. Always wanting to learn more about others, it may help us to understand ourselves.
Callanan has labeled himself an “absolute citizen”, he has enabled anyone to be able to find him at anytime. Through the digital world anyone can find him, work with him and even speak with him if that is what they desire. This sacrifice of privacy has allowed him to become everyones neighbor. Callanan is creating a global village, in his digital world there may not be physical contact but there are connections being made.
Thursday, 15 November 2007, 3:39
I Wanted to See All of the News From Today, included in Mediart, a Rhizome Exhibit
, curated by James Worsham,:
Media in our society is unavoidable. It plagues every aspect of our lives, being almost intrudingly accesible everywhere, from our daily publications to our living rooms, from our office desk to our home computer. News, in particular, is ever present, yet easily biased. Favoritism towards one viewpoint or another is inevitable when information can be so easily personalized and polarized. I’ve gathered several works that include this aspect of modern society. Artists, long known to call the bluff of modern man, never skip a beat when it comes to informational media. Other aspects are so prevalent that they are often ignored entirely. Marketing and advertising is more prevalent than news, especially when ‘news’ is used as an advertising agent. Logos, slogans, campaigns and imagery are drilled into our heads at every turn. Unfortunately, many people in our society rely solely on these messages as a means of imbibing fact, taking for granted elements of manipulation that any ‘good’ ad campaign is sure to employ. The websites I’ve chosen below all use different methods to convey the fallacies and implausibilities of media in our society, from newspapers to children’s games.
Martin John Callanan has been collecting front pages of various media and news sources and displaying them on a single page. The sources range from socialite periodicals to hard-hitting newsheads from all around the world. The effect is both overwhelming and inviting, asking you to examine each one, but only if you can inspect all of them. The viewpoints change per country of publication, let alone intended audience. I enjoyed the idea that at once the audience was forced to translate images, text and presentation into their own innate sense of format and cultural context. The idea that everyone around the world could see this piece and it would change given their location, age, gender, etc. added to it’s deluge of information.
Thursday, 15 November 2007, 3:33
I Wanted to See All of the News From Today, included in another Rhizome Exhibit, titled Stages
:
Every life and the experiences that person goes through are different, but with every life lived there are common stages in the life that can be applied to others. In the most general form, people are born, go through a childhood, go through adulthood, and then get old and die. This can be further broken up to the point of saying that in one’s childhood they are born, start school, don’t like the opposite sex, do like the opposite sex, do love their parents, don’t like their parents, etc. Through the database of artworks at rhizome.org, there were many pieces that were able to highlight and display different parts of a full life. In a linear way, one would definitely start with a childhood. Definitely a characteristic of a person’s childhood is fun and games. “The Attic” by James Mercer is a very interesting game where the player chooses their own adventure. Being that the game uses very simple graphics reminds the viewer of a younger time. In between one’s childhood and coming into that age of maturing, one starts to notice the opposite sex. In today’s world, we live in a sex driven society, whether it is present ion TV and movies or a big element in advertising, sex is everywhere; especially with man’s fascination with the female breast. In “knockers, etc” by Jessica Gomula, the artist depicts this fascination that society has on breast. In the piece, the artist goes through different aspects of the breast such as health, nourishment, pleasure, politics, and form. It is an interactive piece and a very informative one also. As people get a little older, people like to know what is going on around them. One of the most creative ideas to display this thirst for knowledge is Martin John Callanan’s “I wanted to See All of the News From Today “a work in progress). In this piece that is updated constantly, newspapers from all over are posted up to see exactly what is going on that day. I think people are drawn to see what interesting things happened to other people and how events affect them. Later on in life comes to a crossing point where people look back on what they have done. This is also known as a midlife crisis. In James Ford’s “33 Things to do before your 10” the artist realizes that there are certain things that people should do as kids. So as an adult, Ford does these kid type events such as getting his face painting. This best signifies a midlife crisis because he is reliving his childhood. Then of course the close of one’s life comes in the form of death. This is where people realize their faith. Pradip Malde’s “Looking At God” is a very simple concept with a very intense message. The simplicity of the pictures makes the subjects that much intriguing. While looking back at these half faces one wonders to whether they are looking at you or through you. Definitely anyone at that point in their life would want god to look at them and not through them. Even without that element of god, just as people and the selfishness that people unknowingly have to be wanted, is present. Another element that some people experience is that of a rebirth. To explore this concept, Matthew Board made the piece “Eternal Life” and takes the concept of some videogames ability for the player to regenerate and applies it to the thought of a rebirth. After who is to say what happens. I think this piece also brings this concept of a life outline full circle because the piece uses a video game and that can take you back to one’s childhood, and start this cycle again.
Thursday, 15 November 2007, 3:23

Curated by David Battle, A Rhizome Exhibit
featuring both I Wanted to See All of the News From Today and Location of I:
More so than ever the significance of information has been at a high. The transitions from analog to digital and written to electronic media are finished. Since the beginning of what people call the information age the ways in which information is used, collected, and made available have continued to push the boundaries of what some thought would never be possible—or rather, have never thought possible. The use of information continues to change daily. These four artists just take part in the spread of concepts that will, like everything in the information age, become commonplace as people are exposed.
[also at IABlog
]
Wednesday, 14 November 2007, 0:15
I shall be attending a one day international symposium
in honour of Sir Andrew Huxley (OM FRS Nobel Laureate) on the occasion of his 90th Birthday. [interesting family tree
]
Monday, 12 November 2007, 14:30

Audio 041209 is part of SoundLAB IV “memoryscapes”. This was included in Hipersonica Festival
which is a part of FILE, Electronic Language Festival Sao Paulo, Brazil, August 2007.
SoundLAB IV will now also be included at FILE, Electronic Language Festival Rio de Janeiro
, Brazil, 26 February – 29 March 2008.
Friday, 2 November 2007, 23:20

Thursday, 1 November 2007, 2:57
Location of I is added to the “sites we missed” from Dazed Digital, Digital 50
:
In recent years, we have seen an explosion of creativity online – as technology becomes more accessible, and download speeds increase, so more and more artists, designers, writers and photographers have taken to the web. But which of them are really worth your time?
This blog was originally created with support from At Home in Europe, to document residency time at Riga Centre for New Media Culture RIXC, Latvia. Full details here.
© 2007-08 Martin John Callanan, All Rights Reserved.