Framing the digital: materialising new media (31 Jan 2013)

Professor Susan Collins gave a UCL Lunch Hour Lecture about SCEMFA and featured several works by Martin.

How are artists translating or materialising digital works for gallery and physical situations? Professor Collins shows a snapshot of works coming out of the Slade and the Slade Centre for Electronic Media in Fine Art (SCEMFA) over the past decade that explore the material of the digital. This lecture explores a range of groundbreaking perspectives and manifestations.

RTX – Radio Tower Xchange

RTX RIXC

Sound waves broadcast in space and captured by powerful antennas. A steamy repetition creating an environment open to different contributions, pervaded by the energies of the artists themselves, who were invited to focus their attention on those deceitful mechanisms that are always in play at the interchange between infosphere and psychosphere. Different types of data, sounds and magnetism: all these elements poetically meet in multimedia, which is here the synesthetic melting pot of experimental sound compositions. This collective, which promotes the Radio Tower Xchange project, by connecting online performances and audio art events, wants to pay homage and at the same time criticize the “broadcasting philosophies”, embodied in the “symbolism” of radio towers themselves. Technologies for sharing that are evolving towards direct transmission, not “for the audience” but “from the audience” which, thanks to WiFi networks and the multiplication of “emission points” and the simultaneous demand for those inputs, pave the way to the emergence of new systemic chains. Neural Review.

The idea behind this event is both paying homage and a critique of the broadcasting philosophies and histories the radio towers represent, and an investigation into the evolving practice of unregulated online broadcasting. [Adam Hyde]

In 2007 Xchange network for alternative audio content providers and Net broadcasters celebrated its 10th anniversary. RTX event was co-organised by RIXC (Riga, Latvia) in collaboration with partners: Okno (Brussels/BE), Tesla (Berlin/DE), Ellipse (Tours/FR), Projekt Atol (Ljubljana/SI), and Performing Pictures / Interactive Institute (Stockholm/SE) in the framework of the project “Waves – electromagnetic waves as material and medium for arts” (2006-2007). Live audio and sound art contributions; Martin John Callannan. Sonification of You. Horia Cosmin Samoïla / Spectral Investigations Collective. VLF in Paris Jan-Peter E.R. Sonntag. Campa-Sacrow Nils Edvardsson. Power Lines in Sweden Clausthome. Solar Radio Station Superfactory. Ringsendungen live stream from Bratislava (elpueblodechina, Isjtar, Annemie Maes and code31) live stream from Brussels (Society of Algorithm) live stream from Orleans (GSA Psy Ops Soundsystem) stream from Ljubljana (DJ Woo and Fennesz) Support: Latvian State Cultural Capital Foundation, Latvian Ministry of Culture, Culture 2000

Purchase CD

Sonification of You at NetAudio ’08 London

Sonification of You, NetAudio Sonification of You, NetAudio, London

Sonification of You was part of Netaudio’08 Festival London, October 2008

Netaudio’08 took place from 22nd to 25th October 2008 at Shunt Lounge, London SE1. It celebrated the creative output of networked musicians and online communities with installations, workshops, showcases and performances.

Netaudio’08 plaid host to a broad range of live musical acts from the IDM of Lackluster and the digital dub of Disrupt to the raucous sounds of emerging talent A.R.E. Weapons. There was live techno and house from Berlin and djs from across Europe and the UK playing everything from esoteric ambience to minimal techno and back via a headlining set from man of the moment: Appleblim. The only criteria here is that they sound good and that they engage via the medium of the Internet.

Within the market side of the festival you could lay your hands on the latest gadgets, kit and software with everything from digital DJ tools to fully fledged audio production software. As a modern day equivalent of a fun fair, the Netaudio Market also featured a number of interactive installations and stalls allowing you to have a taste of what’s on offer by experimenting with numerous sound and internet tools as well as simply enjoying one of the professionals demonstrations.

Full listings and special events are still live. Keep yourself in the loop about future activities by subscribing to our blog-feed or newsletter and join us on one of the featured social websites.

Netaudio’08 is funded by the Arts Council England through Grants for the Arts and by Shunt. Cenatus Music Projects gratefully acknowledges financial support from the PRS Foundation. The Netaudio Festival is based on a Swiss concept, first showcased in 2005 in Berne. Netaudio’08 is supported by the Swiss Cultural Fund in Britain.

Netaudio London

Sonification of You will be installed at Netaudio London 2008.

Netaudio’08 will take place from 22nd to 25th October 2008 at Shunt Lounge, London SE1. It will celebrate the creative output of networked musicians and online communities with talks, workshops, showcases and performances.

Netaudio’08 will play host to a broad range of live musical acts all the way from well established musicians through to undiscovered new talent – the only criteria is that they sound good and that they engage via the medium of the Internet. Musically Netaudio’08 will provide a programme spanning genres and cultural boundaries and embracing the widest possible selection of sounds humming through the Internet.

Within the conference side of the festival, Netaudio’08 will explore the creative practice and merit of digital networking tools. Workshops will share knowledge about music production and digital distribution whilst presentations will take a lead in the discussion of altered user behavior in the networked society – both aiming to engage the thought provoking process of music production, distribution and consumption in an age of networked communication.

Sonification of You / Sonifikacija tebe / Sonificazione di te at PixxelPoint, Slovenia

PixxelPoint, Nova Gorcia, Slovenia,Sonification of You. Martin John CallananPixxelPoint, Nova Gorcia, Slovenia,Sonification of You. Martin John Callanan

Sonification of You was part of 8th Pixxelpoint Festival (Green Desert), Nova Gorcia, Slovenia, December 2007. Curated by Narvika Bovcon and Aleš Vaupotič, organized by the city of Nova Gorica.

Interaktivnost je postala ambient. Zaradi povečevanja omrežij in zmanjševanja naprav za sprejemanje in oddajanje posamezniki niso več izolirani. Različne naprave za komuniciranje, ki jih vedno nosimo s seboj, neprestano sprejemajo in oddajajo informacije. Neprestani tok podatkov je neviden in večini ljudem nepoznan. Današnje prenosne naprave lahko vidimo kot podaljške človeškega telesa, ki ustvarjajo vseprisotno medsebojno povezanost omrežij, ki ji ni mogoče ubežati.

Delo »Sonifikacija tebe« poskuša ta tok podatkov »prikazati« uporabnikom aktivnih napravic. Naša oprema na določenem območju pasivno spremlja različne frekvence radijskega spektra, ki jih uporabljajo mobilni telefoni, omrežja Bluetooth in WiFi, ter druge mobilne naprave. Podatkom so bili dodeljeni zvoki, ki predstavljajo aktivnost, oddaljenost in moč signalov.

Delo temelji na tehnologiji za kontrolno spremljanje velikih računalniških omrežij, rezultat pa je »zvočna podlaga« v sobi, ki jo ustvarjajo prisotni in njihove naprave.

Nevidno tako postane slišno in s tem tudi vidno. Tako se posamezniki začno zavedati nenehne omrežne povezljivosti, ki jih spremlja.

L’interattività è diventata ambiente. Le persone fisiche non sono più isolate, dato il graduale aumento della presenza del network e la graduale riduzione degli impianti per la trasmissione e la ricezione. I vari dispositivi di comunicazione mobile emettono e ricevono continuamente informazioni. Questo continuo flusso di dati è invisibile e spesso anche sconosciuto dalla maggior parte delle persone. I dispositivi portatili odierni possono essere visti come prolungamenti del corpo umano che permettono un’onnipresente e inevitabile interconnetività di network.

L’obiettivo di ‘Sonification of You’ è quello di rendere questo flusso di dati ‘visibile’ a coloro che possiedono dei dispositivi attivi. Questo apparecchio visualizzerà passivamente le varie frequenze dello spettro radio impiegate dai dispositivi di telefoni cellulari, Bluetooth, WiFi network, e da altri dispositivi mobili impiegati all’interno di uno spazio delimitato. I dati saranno rappresentati da suoni che indicheranno l’attività, la distanza e la potenza dei segnali.

Ricorrendo ai metodi per il monitoraggio di ampi network di computer, il risultato è quello di creare un ‘suono’ di sottofondo per uno spazio figurativo di persone, e dei loro dispositivi, il presente.

L’invisibile diventa intelligibile e perciò visibile, permettendocosì all’individuo di essere consapevole della propria costante connettività.

Green Desert
Andrei Tarkovsky’s film Nostalgia (1983) closes with a renowned travelling camera shot that gradually traverses the film space, tracking from images of Russian landscape in which the protagonist is framed to a final image of the interior of a Tuscan church. In the third phase of this uninterrupted shot, it can be seen that the church has no roof and is exposed to the influences of weather. The shot concludes with snow falling in a hybrid of interior and exterior. Another example of such hybrid style can be found in the Diesel Company’s advertising campaign Global Warming Ready (2006) which features images of spatial collage: for example, Mount Rushmore as a coastal cliff, and a Venetian scene in which colourful tropical parrots replace the ubiquitous pigeons. These very different visual effects combine a common theme: the association of two seemingly disassociated spaces in one place. The consequence of this type of catachresis is the revelation of specific socio-political problems that can be either complex, as in the example of the differing states of Russian and Western understanding of life found in Tarkovsky’s Tuscany, or half-serious, as in the example of the advertising campaign that wants to increase the global public awareness of environmental protection issues using shocking and attractive images of various ecosystems that have fallen out of balance. The theme of Pixxelpoint’s Green Desert refers to the controversial linkage of something beautiful and dead at the same time, the positive connotations of greenness combined with its absence in the desert. There is of course a way out of this quandary, though one solution remains limited to virtual technically-simulated reality. The second solution lies with the change of humanity and efforts to sharpen its sensitivity to the delicate balance of the environment that is not an object to be exploited but a complex and layered entity encompassing different worlds in the same geographic location, worlds that appear different to different eyes.

Zelena Puščava

Film Nostalghia (1983) Andreja Tarkovskega se zaključi s slavnim travalingom kamere, ki razkrije postopno prehajanje filmskega prostora iz podobe ruske pokrajine z glavnim junakom v okvirjajočo se podobo notranjosti toskanske cerkve. Zanjo se v tretji fazi nepretrganega posnetka izkaže, da je brez strehe in odprta za vremenske vplive, saj se prizor sklene s sneženjem v tem hibridnem interjerju-eksterjerju. Drugi primer je reklamna kampanja podjetja Diesel Global Warming Ready (2006) s podobami prostorskih kolažev, npr. Gore Rushmore kot obmorske pečine ali pa prizora barvitih tropskih papig v Benetkah namesto letečih podgan. Sicer zelo različni konkretizaciji združuje skupna tema, povezava dveh, na prvi pogled nezdružljivih prostorov na enem mestu. Posledica tovrstne prostorske katahreze pa je praviloma razkritje specifične družbenopolitične problematike, ki je lahko kompleksnejša, kot v primeru raziskave razmerja med ruskim razumevanjem življenjskega sveta in zahodnjaškim, ki ga predstavlja Toskana pri Tarkovskem, ali pa le na pol resna, kot v reklamni kampanji, ki želi ozaveščati globalne javnosti o problematiki varstva okolja s podobami šokantnih in obenem privlačnih ekosistemov, ki so že zdavnaj padli iz ravnovesja. Tema Pixxelpointa “zelena puščava” se nanaša torej na kontroverzno povezavo nečesa sicer lepega vendar obenem mrtvega, s pozitivnimi pomeni zelenine, ki je v puščavi seveda ni. Ostaja pa seveda pot iz te zagate, vendar pa je predlagana možnost omejena na virtualnost tehnosimulirane realnosti. Drugi izhod pa je sprememba v človeku, ki si s prizadevnostjo izostri posluh za krhko ravnovesje v svoji okolici, ki ni zgolj predmet za izkoriščanje, ampak preplet plasti različnih svetov na isti geografski lokaciji, ti pa se kažejo različno različnim očem.

Interviewed for Slovenian TV

TV interview for Pixxelpoint, Nova Gorica, Slovenia

Did a couple of interviews for Slovenian TV etc, not yet seen any of the tapes; hope my Slovenian was up to scratch.

8th Pixxelpoint, Slovenia

Pixxelpoint, Nova Gorica, Slovenia

Sonification of You (Sonifikacija tebe / Sonificazione di te) will be at 8th Pixxelpoint Festival, Nova Gorica, Slovenia, in December 2007. I shall also be giving an artist’s talk. [PDF: Festival Program< , includes translation of Sonification of You into both Slovenian and Italian]

I’ve been invited to stay in Slovenia 5-15 December 2007.

Pixxelpoint is one of the most successful and renowned festivals of new media art in Slovenia and also abroad. Its purpose is firstly, to bring the information technology and new media art closer to the general public, and secondly, to raise awareness about a different potential to use computer among the young. In previous editions the festival had a big media response and over 3000 visitors visited it every year, so this is a challenge for the organizers to further expand it and trespass the boundaries of the gallery space which has become too small for all the projects which are to be carried out. The exhibition of new media art projects, as the central event of the festival will be mounted at City Gallery Nova Gorica but will include also other locations (Mostovna, Kulturni dom Gorica (Italy) and DAMS (Italy)), besides we will also include a symposium on the given topic, as well as workshops run by guest-lecturers. Accompanying activities will include numerous concerts by well-known music performers.

Curated by Narvika Bovcon and Aleš Vaupotič, organized by the city of Nova Gorica.

Radio Tower Xchange (RTX)

Adam Hyde writes: Radio Tower Xchange (RTX) is a networked performance event, a DVD, and collaborative installation. At the same time, the RTX is also a closing activity of the “WAVES project, and it will be coordinated by the RIXC and co-organisers, and sound artists from all over the Europe and the globe.

RTX is intended as an global networked net.radio event using experimental networked performances from Xchange (global net.audio network) artists located at Radio Towers around the world. The aim is to have each Xchange representative streaming from a Radio Tower in their city.

As well as being architecturally significant, Radio Towers have played a remarkable role in history and a valuable role in the evolution of radio science since the beginning of last century.

However with the recent developments in wireless internet technologies these towers that were sites exclusively used for government and commerical broadcasts, are now largely symbols of frequency commodification. The stately towers and masts now are encircled by a multitude of self-organising public wifi networks. Thousands of wireless routers form chaotic meshs of public radio space around these huge broadcast icons similar to how rambling city markets surround the towering commerical buildings in many cities of the world. In these places public broadcasting takes on a new meaning, it is the public that broadcasts, nota broadcast provided FOR the public. Regulated broadcasts are monolithic, like the towers built to support them which require huge amounts of resources to sustain and generations to change. Unregulated space, the new public broadcast space, is infectous, it finds new ways to communicate new things, and broadcasting is becoming a behaviour which is daily and inevitable. Transmitting, is becoming part of the fabric of urban existence, it is perhaps now a more common practice to many than receiving…

In these unregulated spaces Xchange has been provoking cultural, artistic and theoretical practice and discourse since the advent of streaming media in the mid 90′s. Xchange reflected the new approach to collaborative, autonomous ad-hoc broadcasting. Network broadcasts were common place for the first years of Xchange, with each node in the network contributing to a online cacophony where no single node could be distinguished in the mix from another. Ownership was impossible to maintain and hence forgotten. Participation became the goal. The sharing of transmissions was more exciting than the simultaneous reception of the same transmission. The doors to the broadcast towers were not forced open by these pioneers but ignored, and the landmark symbols of one-to-many broadcasting was replaced by rambling a network of many-to-many net.casters.

RTX is both a homage and a criticque of the broadcasting philosophies and histories these towers represent, and an investigation into the evolving practice of unregulated online broadcasting.

The Eiffel Tower, in Paris France, home of the Xchange group TNC, has been used for radio transmission for over 100 years. For the first 50 years of last century long wave antennas ran from the top of the tower to the Champ de Mars. In 1909 the tower was to be demolished but was saved because of its role as a radio antenna. The Eiffel tower is also the first place that cosmic rays were detected in 1910 by Father Theodor Wulf. In 1920 radio pioneer Lee De Forest started broadcasting music using the tower as an antenna from Paris to America to demonstrate his belief that radio was the new media for entertainment in the 20th century. During WW2 the French cut the elevator cables to the tower so that Hitler would have to walk the nearly 2000 steps to the summit.

Berlin, home of well known Xchange practitioners Bootlab, and convex.tv, is also the home of many remarkable transmission towers including the European Unions highest structure – the Fernsehturm in Alexsanderplatz. The tower was built in the 60s by the reigning Socialist powers. Berlin also houses the Funkturm Berlin tower, which (in 1935) was the site where the first ever regular television broadcasts began.

Rigas “radio un televizijas tornis” (Radio and Television Tower) is the second highest radio tower on Europe, and Riga is of course the home of the Xchange founders RIXC. Perhaps more famously The RT32 parabolic antenna is located close to Riga and is where the Acoustic Space Lab experiments of 2000 occurred.

Budapest, where early Xchange net.radio contributers Pararadio are still located, is also where you will find the Radio tower of Lakihegy, which was the worlds tallest structure when it was built in 1933. At 314 metres it is probably the worlds largest inactive monument to radio.

Fakeshop (New York) contributed to the Xchange network from the beginning and was one of the few that also experimented with net.video. New York has many famous radio towers including of course the Empire State building, and Wardenclyffe on Long Island where Tesla wanted to build his “Radio City”.

Centerpoint Tower is Sydney’s tallest structure, and it is here we envision the House of Laudanum would contribute. The tallest structure in the Southern Hemisphere is the Sky Tower, which is used to house many major radio and television transmitters for New Zealand (where radioqualia originate).

These towers are examples of some of the places Xchange participants will site themselves to participate in the RTX performance. Although the participants will use spaces like the Sky Tower, Wardenclyffe, and the radio tower of Lakihegy as a physical platforms for their performances, the carrier medium for their broadcasts will be the many pervasive public wireless networks than radiate through and around these towers.

Sonification of You part of Radio Tower Exchange, RIXC, Latvia

Sonification of You. Martin John Callanan

Sonification of You was part of RTX, April 2007, broadcasting live from Europe’s second tallest man-made structure – The Riga TV and Radio Tower – as part of the Radio Tower Xchange, a live event from some of Europe’s radio towers.
Listen to archive of live performances

a href=”http://www.rixc.lv/waves/rtx/” target=”_blank”>Radio Tower Xchange (RTX) is a networked performance event, a DVD, and collaborative installation.

At the same time, the RTX is also a closing activity of the “WAVES” project, and it will be coordinated by the RIXC and co-organisers, and sound artists from all over the Europe and the globe.

RTX is intended as an global networked net.radio event using experimental networked performances from Xchange (global net.audio network) artists located at Radio Towers around the world. The aim is to have each Xchange representative streaming from a Radio Tower in their city.

As well as being architecturally significant, Radio Towers have played a remarkable role in history and a valuable role in the evolution of radio science since the beginning of last century.

However with the recent developments in wireless internet technologies these towers that were sites exclusively used for government and commerical broadcasts, are now largely symbols of frequency commodification. The stately towers and masts now are encircled by a multitude of self-organising public wifi networks. Thousands of wireless routers form chaotic meshs of public radio space around these huge broadcast icons similar to how rambling city markets surround the towering commerical buildings in many cities of the world. In these places public broadcasting takes on a new meaning, it is the public that broadcasts, nota broadcast provided FOR the public. Regulated broadcasts are monolithic, like the towers built to support them which require huge amounts of resources to sustain and generations to change. Unregulated space, the new public broadcast space, is infectous, it finds new ways to communicate new things, and broadcasting is becoming a behaviour which is daily and inevitable. Transmitting, is becoming part of the fabric of urban existence, it is perhaps now a more common practice to many than receiving…

In these unregulated spaces Xchange has been provoking cultural, artistic and theoretical practice and discourse since the advent of streaming media in the mid 90′s. Xchange reflected the new approach to collaborative, autonomous ad-hoc broadcasting. Network broadcasts were common place for the first years of Xchange, with each node in the network contributing to a online cacophony where no single node could be distinguished in the mix from another. Ownership was impossible to maintain and hence forgotten. Participation became the goal. The sharing of transmissions was more exciting than the simultaneous reception of the same transmission. The doors to the broadcast towers were not forced open by these pioneers but ignored, and the landmark symbols of one-to-many broadcasting was replaced by rambling a network of many-to-many net.casters.

RTX is both a homage and a criticque of the broadcasting philosophies and histories these towers represent, and an investigation into the evolving practice of unregulated online broadcasting.

The Eiffel Tower, in Paris France, home of the Xchange group TNC, has been used for radio transmission for over 100 years. For the first 50 years of last century long wave antennas ran from the top of the tower to the Champ de Mars. In 1909 the tower was to be demolished but was saved because of its role as a radio antenna. The Eiffel tower is also the first place that cosmic rays were detected in 1910 by Father Theodor Wulf. In 1920 radio pioneer Lee De Forest started broadcasting music using the tower as an antenna from Paris to America to demonstrate his belief that radio was the new media for entertainment in the 20th century. During WW2 the French cut the elevator cables to the tower so that Hitler would have to walk the nearly 2000 steps to the summit.

Berlin, home of well known Xchange practitioners Bootlab, and convex.tv, is also the home of many remarkable transmission towers including the European Unions highest structure – the Fernsehturm in Alexsanderplatz. The tower was built in the 60s by the reigning Socialist powers. Berlin also houses the Funkturm Berlin tower, which (in 1935) was the site where the first ever regular television broadcasts began.

Rigas “radio un televizijas tornis” (Radio and Television Tower) is the second highest radio tower on Europe, and Riga is of course the home of the Xchange founders RIXC. Perhaps more famously The RT32 parabolic antenna is located close to Riga and is where the Acoustic Space Lab experiments of 2000 occurred.

Budapest, where early Xchange net.radio contributers Pararadio are still located, is also where you will find the Radio tower of Lakihegy, which was the worlds tallest structure when it was built in 1933. At 314 metres it is probably the worlds largest inactive monument to radio.

Fakeshop (New York) contributed to the Xchange network from the beginning and was one of the few that also experimented with net.video. New York has many famous radio towers including of course the Empire State building, and Wardenclyffe on Long Island where Tesla wanted to build his “Radio City”.

Centerpoint Tower is Sydney’s tallest structure, and it is here we envision the House of Laudanum would contribute. The tallest structure in the Southern Hemisphere is the Sky Tower, which is used to house many major radio and television transmitters for New Zealand (where radioqualia originate).

These towers are examples of some of the places Xchange participants will site themselves to participate in the RTX performance. Although the participants will use spaces like the Sky Tower, Wardenclyffe, and the radio tower of Lakihegy as a physical platforms for their performances, the carrier medium for their broadcasts will be the many pervasive public wireless networks than radiate through and around these towers.

Adam Hyde

Sonification of You (Latviskā)

mobilo sakaru frekvenču sonificēšana Rīgas TV tornī…Mūsu tehniskās ierīces pasīvi skenē dažādas radio spektra frekvences, kuras izmanto mobilie telefoni, WIFI bezvadu tīkli un citas mobilās ierīces, kuras tiek pielietotas kādā noteiktā telpā. “Sonification of You” mērķis ir padarīt šos datus redzamus cilvēkiem, kuri šīs ierīces aktīvi pielieto. Lai sonificētu Rīgas mobilo radiofrekvenču sakarus, mākslinieks (kas ir RIXC laboratorijas rezidents februāris-aprīlis 2007) veiks mobilo komunikāciju frekvenču skenēšanu no Rīgas TV torņa.

Sound:Space 2007

Sonification of You at Sound:Space 2007

Sound:Space – A day of artist talks, demonstrations and performances exploring contemporary artistic use of sound and environment. This event provides an opportunity to absorb a wealth of the latest developments in audio research and the field of Sound Art and experience a series of fascinating sonic exhibitions.

(((NOMUSIC)))

Sonification of You ran live for an hour as part of NOMUSIC Festival X (live transmission / 24 hour performance):

-< 48 Participants >-
-< 24h Continuous Streaming Audio Festival >-
-< Realtime Simultaneous Dual Live >-
-< Audio Live Performing only via Internet >-
-< Creative Commons Audio License - No Archivz >-
-< Stream Live Audio - Double/Split Channel >-

[GMT+0 - Greenwich Time] * lasting 24 hours forming a terrestrial revolution completes online without interruption between 48 participants.
START : the 13th, December, 2006 (00h00 / 00:00am) [GMT+0 - Greenwich Time] END : the 13th, December, 2006 (23h59 / 11:59pm) [GMT+0 - Greenwich Time]

PRESENTATION :

(((NOMUSIC))) started on June 2001, according to the principle that a diffusion site on Internet should correspond to the representation of the singular performances of a new generation of artists, musicians, performers and other actors of the electronic scene. The creation of this open diffusion site proved to be necessary because of today’s difficulty to perform disembodied concerts of electronic music on stage, in a classical frontal (actor/audience) representation space.
Nowadays, these emerging new multimedia performances allow everybody to approach music in a more singular way, with a different listening practice and on a more sharing scene.

Every year since 2001, (((NOMUSIC))) offers one or more festivals which programming is geographically variable and which function is to relay in a coordinated way a 24 hours earth revolution of no-musicians @ home. This virtual earth revolution materializes a world wide sound cover of 24 time zones according to the universal time [GMT 0]. This gives to participants who are scattered all over the world the opportunity to take part in the festival. The participation is free of charge and the recruitment is made exclusively on Internet through diffusion lists. The selection is not made according to practices and genres criterion but rather according to the approaches and artistic positions which should echo the logic of the festival.

(((NOMUSIC))) platform offers two types of live. In its classical form, the participant plays alone at home for one hour. He can also play in dual. Dual is a live in which two geographical sites are linked via Internet and mixed together in stereo (participant 1 on the left channel and participant 2 on the right one).

(((NOMUSIC))) wishes to generate improbable duals and gatherings between two participants during one hour time in a web audio performance. We make no storage because we think that Internet is a huge database which conveys already a great amount of dead informations and we don’t want to pollute it further. We are thus in favour of instant access to a selective event. The mechanism of the programming is not automated; it is relayed manually for 24 hours without any interruption by laboiteblanche and Carl.Y., two real human routers who are at the service of continuous audio stream and who endure technical difficulties and give rapid formation on the technologies of streaming to all the participants.

(((NOMUSIC))) stands between musical negation and anti-bruitism, in a non-silent interstice of audio manifestation. It allows the composer-performer to be his own auditor, in a place where nothing should be heard but just felt as a new entity to observe.

FOUNDERS :

From 1999 on, laboiteblanche and Carl.Y, have both experimented streaming through series of interconnected web concerts and programming via the site NOWEB thus creating a form of festival which dimension is tailor-made for the web.

The support of the late CICV Pierre Schaeffer ’s residence at Hérimoncourt [Fr] gave more opportunity for further development of the interface system; it allowed also an access to a bandwidth of great capacity, which is essential to bear the year after year rising load of the connections. Technically speaking, (((NOMUSIC))) is now autonomous and provides its own lodging on Internet since the creation of the NOHOST platform.

laboiteblanche & Carl.Y play regularly together in concerts or on the net, from Berlin to Fournos via Paris or other cities. At the same time, each of them develops different projects related to the new technologies:
Radio WNE
[Self Radio] Radio WNE concentrate his programs on diffusion of new emergent musics and musicians, performers and the broadcasting of stranges audio-contents, events retransmissions and acoustics phenomena, on a collaborative open-plateform online
Audiotrace
[Installation / Performance / Website] Random listening system of the radio frequencies of police, airports, trains, emergency services…
StreamYourself
[Workshop] Workshop on the techniques of audio and video streaming in Art schools
DM-NOMUSIC
[Audio 3D Map / Performance] Audio 3D environnement mixed on web

STATS :
5 years and 10 festivals
226 participants during 212 hours
More than 8000 listeners from 25 countries over 4 continents

Review at Ecrans:

24 heures de « Nomusic » non stop
par Marie Lechner
tag : musique

La dixième édition du Nomusic festival, marathon du streaming orchestré depuis cinq ans par Carl Y. et La boîte blanche, débute ce soir à minuit pour 24 heures de musique non stop (le 13 décembre de 0h à 23h59) around the globe.

Pour cette nouvelle session, diffusée exclusivement sur le net, ils seront 48 musiciens dispersés aux quatre coins de la planète (Suède, Italie, Russie, Allemagne, France, Japon, Royaume-Uni, Autriche, Québec, Belgique, ou encore Pérou, Hongrie, Pologne…) à se relayer. Dans les premières éditions, les solos se succédaient, chaque musicien jouant tout seul depuis sa chambre pendant une heure, désormais c’est le duo qui prime. Les duettistes, tirés au sort, émettent l’un sur le canal de gauche, l’autre sur le canal de droite, recréant une stéréo artificielle. Ils jouent chez eux à distance, et « Nomusic » les réunit sur le réseau, suscitant d’improbables rencontres audio par exemple entre Kaffe Matthews (Londres) et Erik Minkkinen (Paris), entre les noiseurs alsaco-roumains Sun Plexus (Cluj) et le suédois Jon Eriksen (Malmö), entre Carl Stone (Tokyo), pionnier de la musique live sur ordi, et Neil Kaczor (Londres) ou encore Cat Hope (Singapour) et Davidly (Berlin).

Nomusic, qui dit se situer entre « la négation musicale et l’anti-bruitisme », propose une instantané du réseau en matière d’expérimentation sonore, offrant une plate forme de diffusion et de création adaptée à une génération d’artistes, musiciens, performeurs aux pratiques singulières.

Nomusic privilégie l’instantanéité du live et refuse l’archivage. « Nous n’archivons pas parce que nous pensons qu’Internet stocke déjà une quantité énorme d’informations mortes, nous ne voulons pas le polluer davantage. » C’est donc ce soir ou jamais…

Trampoline, Broadway Media Centre

Sonification of You live at Trampoline Festival, Broadway Media Centre, Nottingham, November 2006

Trampoline is dedicated to the promotion of new technology art and artists and aims to present cutting edge art in an informal atmosphere; encouraging new artists to exhibit work to a real audience, whilst providing a platform for established artists working in new directions.

Trampoline began life in 1997 as Nottingham’s first ever platform event for new media art. In 2001, founders Miles Chalcraft and Anette Schäfer moved to Berlin and expanded Trampoline to Germany. Co-founder Gareth Howell continued Trampoline Nottingham throughout 2001 and 2002. Since then Trampoline has been left in the capable hands of a series of guest curators including Sharmila Cogger and Lizzy Whirrity, Nottingham art based collective, REACTOR and now Emma Lewis.

Vague Terrain

A whole series of my work featured in issue 5 of Vague Terrain

Vague Terrain is a web based quarterly publication showcasing work from various artists, musicians, and writers. The quarterly samples the focus and methodologies of academic and art journals, and examines contemporary issues in an immediate and accessible manner that reflects the nature of the web. Content consists of curated visual, audio, and written works.

Sonification of You part of Paraflows Festival Vienna

Sonification of You. Martin John CallananSonification of You live at Paraflows, Martin John Callanan
Sonification of You live at Paraflows, Martin John CallananSonification of You live at Paraflows, Martin John Callanan

Sonification of You was part of the city wide Paraflows Festival, Vienna, Austria, in September 2006, hosted at the Blumberg Gallery.

Diese Arbeit ist Phasen9. bis 16. September 2006

Wechselwirkung ist umgebend geworden. Einzelne Leute sind nicht mehr lokalisiertes aus der Skalierung oben der Netze resultieren und der Skalierungabstieg des Apparates für Getriebe und Aufnahme. Verschiedene Kommunikation Vorrichtungen immer getragen ununterbrochen strahlen aus und empfangen Informationen. Dieses ununterbrochene Datenfluß ist unsichtbar und häufig, durch die Mehrheit einen Leuten, unbekannt. Heutige Handvorrichtungen können als Verlängerungen von gesehen werden menschlicher Körper erlauben überall vorhandenes, unvermeidliches Netz interconnectivity.

Das `Sonification von dir’ zielt darauf ab, dieses zu bilden Datenfluß das `, das’ zu jenen Leuten sichtbar ist, welche die aktiven Vorrichtungen tragen. Unsere Ausrüstung lichtet passiv die verschiedenen Radiospektrumfrequenzen ab, die durch Vorrichtungen des beweglichen Telefons, Bluetooth, WiFi Netze und andere verwendet werden durch bewegliche Vorrichtungen, innerhalb a verwendet werden gegebener Raum. Die Dateninformationen dann vorbei dargestellt zugewiesene Audiotöne, die Tätigkeit, Abstand und Stärke der Signale anzeigen. Zeichnen auf Methoden für die überwachung des Großrechners Netze, das Resultat ist, einen Hintergrund `Ton’ für einen Raum, der representational der Leute ist, und ihre Vorrichtungen, Geschenk zu verursachen.

Das unsichtbare hörbar geworden und folglich sichtbar. Einzelpersonen erlauben, ihrer Konstante bewußt zu werden Konnektivität.

paraflows 06 – Annual Convention für Digitale Kunst und Kulturen in Wien, 09.-16.09.2006

Das Motto hinter paraflows 06 – Annual Convention für digitale Kunst und Kulturen in Wien ist das Konzept der ‘Netze hinter dem Netz’, was sowohl das Digitale hinter dem sozialen Netz als auch das Soziale hinter dem digitalen Netz meinen kann.

Ein viertägiges Symposium setzt sich mit Vorträgen und Workshops zur paraflows 06 Thematik auseinander. Die Ausstellung zum Festival widmet sich aktuellen künstlerischen Positionen der digitalen Medien- und Netzkulturen. Lokale und internationale Projekte werden vorgestellt, deren Intention es ist, mittels neuerer medialer Kulturmittel unsere heutige Gesellschaft besser zu verstehen, zu kritisieren und zu gestalten. TUagliche Abendveranstaltungen runden das Festival mit einem Vermittlungskonzept ab und laden zum Austausch ein.

paraflows 06 – annual convention for digital arts and cultures, 9 through 16 September 06

paraflows 06 focusses on the idea of a ‘net behind the net’ which can mean both the digital behind the social net, and the social behind the digital net. paraflows (the Greek prefix ‘para’ meaning: beside, near, moreover) emanates from the main motors of freedom of the net and its para-experts, the wikipedias and slashdots of all areas within which consumers help each other voluntarily to become and remain critical users and experts in their fields.

The symposium draws participants from all over the world and consists of lectures and workshops on the topic of paraflows 06: ‘nets behind the net’. The exhibition will display works dealing with the ‘social web’ focussing on the topic of the ‘nets behind the nets’. Installations and performances are meant to encourage visitors to actively participate in the event. The horizontal concept of the exhibition consciously takes on the approved principles of a decentralized organisation and of participatory practices. The exhibition will therefore be held in seven locations within the Viennese art and culture scene. The daily evening events will top off the festival and encourage participants and visitors to communicate with each other.

Paraflows06

Sonification of You live as part of Paraflows06 in Vienna, Austria, September 2006, at Blumberg Gallery.

paraflows 06 focusses on the idea of a ‚net behind the net’ which can mean both the digital behind the social net, and the social behind the digital net. paraflows (the Greek prefix ‘para’ meaning: beside, near, moreover) emanates from the main motors of freedom of the net and its para-experts, the wikipedias and slashdots of all areas within which consumers help each other voluntarily to become and remain critical users and experts in their fields.

Resonance FM

Sonification of You live on Resonance FM as part of FRAMED, a Node.London event.

Resonance 104.4 fm is the world’s first radio art station, established by London Musicians’ Collective. It started broadcasting on May 1st 2002. Its brief? To provide a radical alternative to the universal formulae of mainstream broadcasting. Resonance 104.4 fm features programmes made by musicians, artists and critics who represent the diversity of London’s arts scenes, with regular weekly contributions from nearly two hundred musicians, artists, thinkers, critics, activists and instigators; plus numerous unique broadcasts by artists on the weekday “Clear Spot”.

FRAMED 2006

Sonification of You live at FRAMED, London, March 2006

Framed was a performance event/showcase which took place in the new Slade Research Centre space in Woburn Square at the end of March 2006 to coincide with the NODE.London season for media arts and also to mark the 10th anniversary of the Slade Centre for Electronic Media.

From works exploring transmission, networking and time to palm pilot drawings, sound performances as well as experimental works developed in collaboration with UCL’s Immersive VR Laboratory exploring physiological input devices, this event was intended to provide a snapshot of the broad range of interests, exploration and investigations in this area.

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