Departure of All, noshowspace, Bethnal Green, London

Departure of All, Martin John Callanan, noshowspace

Departure of All, Martin John Callanan, noshowspace

27 September – 26 October 2013, noshowspace, 13 Gibraltar Walk, Bethnal Green, London

noshowspace is pleased to present Departure of All, Martin John Callanan’s first solo exhibition in London.

Callanan is intrigued by systems present in society that shape our lives yet remain largely unobserved. In a process of research he makes simple and direct requests to international organisations and authorities, including open data sources. Through collating and presenting the often excessive results his work becomes an all inclusive, all embracing reflection of our wider world. In Departure of All Callanan will be showing Wars During My Lifetime, Grounds and a new work titled Departure of All.

Departure of All, Martin John Callanan, noshowspace

Departure of All, Martin John Callanan, noshowspace

Departure of All is a flight departure board displaying flight information for every departure happening from all international airports around the world. The familiar wait in front of the departure board is replaced with an accelerated stream of flight departure times, given poignancy by the fact they are real flights that can be mapped to real places in real time. The world as one airport.

In Grounds, a work of long term research started in 2003, Callanan seeks to negotiate permission to take a single photograph in buildings important to society but where photography is not permitted. His ongoing photographic archive currently contains about 2000 locations from across the world, a selection of which are on show.

Departure of All, Martin John Callanan, noshowspace

Departure of All, Martin John Callanan, noshowspace

Wars During My Lifetime is a newspaper, listing every war fought during the course of the artist’s life. It is an evolving work first published in 2012, a third edition is published on the occasion of this exhibition.

Departure of All, Martin John Callanan, noshowspace

A publication accompanies the exhibition with contributions from Pau Waelder and Domenico Quaranta. Visit the show for your free printed copy or a PDF version of the publication can be downloaded.

noshowspace, Departure of All

Part of Art Licks Weekend, and Art Licks event of the week.

Press Release (PDF)
Download the publication (PDF)
Public talk on 22 October

Along Some Sympathetic Lines, Or Gallery, Berlin

Along Some Sympathetic Lines

Along Some Sympathetic Lines

Along Some Sympathetic Lines

Along Some Sympathetic Lines

Along Some Sympathetic Lines

23 February – 27 April 2013
Opening 7pm, 22 February 2013

Or Gallery, Oranienstr 37, Berlin 10999, Germany

Or Gallery is pleased to present Along Some Sympathetic Lines, an exhibition of artwork by London-based artist Martin John Callanan, and an archive project by curator Liz Bruchet. The exhibition considers the poetic possibilities of data and its documentation, and the tenuous process of making meaning.

Martin John Callanan is an artist researching an individual’s place within systems. Callanan generates and reworks photographs, letters and electronic data into evidence of exchanges – between the individual, the institution and the networks of power that intertwine them. The exhibition presents four of the artist’s series: The Fundamental Units, the result of amassing millions of pixels of data, to photographs, in microscopic detail far beyond the capacity of the human eye, the lowest monetary unit of each of the 166 active currencies of world, only to enlarge and print them to vast scale; Wars During My Lifetime, an evolving newspaper listing of every war fought during the course of the artist’s life; Grounds, an ongoing photographic archive which charts ‘important places’ in the world where security restrictions limit the image to the carpeted, tiled or concrete floors; and Letters 2004-2006, Callanan’s correspondence with various heads of states and religious leaders which implicate them in conversations that question their very rationale of their authority. These acts of excavating, accumulating and visualising data draw out the sympathetic aspects within documentation and in so doing, mark and disrupt the underlying power dynamics.

A second gallery features an archive project by London-based curator Liz Bruchet. The display of ephemera from the personal archive of the curator’s grandfather, a Canadian insurance salesman and aspiring radio presenter, takes its inspiration from a found audio recording – part monologue, part autobiography, and part radio show – made in 1974. Harnessing the impulses of the collector, archivist and biographer, the curator reasserts her role as custodian and caretaker to nurture narratives and give weight to the subjective remnants of one man’s life.

This exhibition is curated by Liz Bruchet.

The exhibition is possible with the generous support of Or Gallery, the National Physical Laboratory, and UCL European Institute.

With thanks to Galeria Horrach Moya, (Hiper)vincles, Whitechapel Gallery, Book Works, David Karl, and Pau Waelder.

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