{"id":1374,"date":"2007-12-30T10:49:03","date_gmt":"2007-12-30T09:49:03","guid":{"rendered":"http:\/\/greyisgood.eu\/notes\/?p=1374"},"modified":"2013-09-12T21:33:30","modified_gmt":"2013-09-12T20:33:30","slug":"sonification-of-you-sonifikacija-tebe-sonificazione-di-te-at-pixxelpoint-slovenia","status":"publish","type":"post","link":"https:\/\/greyisgood.eu\/notes\/1374","title":{"rendered":"Sonification of You \/ Sonifikacija tebe \/ Sonificazione di te at PixxelPoint, Slovenia"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/greyisgood.eu\/sonofyou\/071206_0013412pp.jpg\" alt=\"PixxelPoint, Nova Gorcia, Slovenia,Sonification of You. Martin John Callanan\"  \/><img decoding=\"async\" src=\"http:\/\/greyisgood.eu\/sonofyou\/071206_0013434pp.jpg\" alt=\"PixxelPoint, Nova Gorcia, Slovenia,Sonification of You. Martin John Callanan\"  \/><\/p>\n<p><a href=\"http:\/\/sonification.eu\">Sonification of You<\/a> was part of <a href=\"http:\/\/www.pixxelpoint.org\/greendesert-e.html\" target=\"_blank\">8th Pixxelpoint Festival<\/a> (Green Desert), Nova Gorcia, Slovenia, December 2007. Curated by Narvika Bovcon and Ale\u00c5\u00a1 Vaupoti&#269;, organized by the city of Nova Gorica.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F110094067&player_height=&player_height_multi=&player_width=&player_type=visual&color=c8c8c8&auto_play=false&show_comments=&show_user=&buying=&sharing=&download=&show_artwork=false&show_playcount=&hide_related=\"><\/iframe>\n<p>Interaktivnost je postala ambient. Zaradi pove&#269;evanja omre\u00c5\u00beij in zmanj\u00c5\u00a1evanja naprav za sprejemanje in oddajanje posamezniki niso ve&#269; izolirani. Razli&#269;ne naprave za komuniciranje, ki jih vedno nosimo s seboj, neprestano sprejemajo in oddajajo informacije. Neprestani tok podatkov je neviden in ve&#269;ini ljudem nepoznan. Dana\u00c5\u00a1nje prenosne naprave lahko vidimo kot podalj\u00c5\u00a1ke &#269;love\u00c5\u00a1kega telesa, ki ustvarjajo vseprisotno medsebojno povezanost omre\u00c5\u00beij, ki ji ni mogo&#269;e ube\u00c5\u00beati. <\/p>\n<p>Delo \u00c2\u00bbSonifikacija tebe\u00c2\u00ab posku\u00c5\u00a1a ta tok podatkov \u00c2\u00bbprikazati\u00c2\u00ab uporabnikom aktivnih napravic. Na\u00c5\u00a1a oprema na dolo&#269;enem obmo&#269;ju pasivno spremlja razli&#269;ne frekvence radijskega spektra, ki jih uporabljajo mobilni telefoni, omre\u00c5\u00beja Bluetooth in WiFi, ter druge mobilne naprave. Podatkom so bili dodeljeni zvoki, ki predstavljajo aktivnost, oddaljenost in mo&#269; signalov. <\/p>\n<p>Delo temelji na tehnologiji za kontrolno spremljanje velikih ra&#269;unalni\u00c5\u00a1kih omre\u00c5\u00beij, rezultat pa je \u00c2\u00bbzvo&#269;na podlaga\u00c2\u00ab v sobi, ki jo ustvarjajo prisotni in njihove naprave. <\/p>\n<p>Nevidno tako postane sli\u00c5\u00a1no in s tem tudi vidno. Tako se posamezniki za&#269;no zavedati nenehne omre\u00c5\u00bene povezljivosti, ki jih spremlja.<\/p>\n<p>L\u00e2\u20ac\u2122interattivit\u00c3\u00a0 \u00c3\u00a8 diventata ambiente. Le persone fisiche non sono pi\u00c3\u00b9 isolate, dato il graduale aumento della presenza del network e la graduale riduzione degli impianti per la trasmissione e la ricezione. I vari dispositivi di comunicazione mobile emettono e ricevono continuamente informazioni. Questo continuo flusso di dati \u00c3\u00a8 invisibile e spesso anche sconosciuto dalla maggior parte delle persone. I dispositivi portatili odierni possono essere visti come prolungamenti del corpo umano che permettono un\u00e2\u20ac\u2122onnipresente e inevitabile interconnetivit\u00c3\u00a0 di network. <\/p>\n<p>L\u00e2\u20ac\u2122obiettivo di \u00e2\u20ac\u02dcSonification of You\u00e2\u20ac\u2122 \u00c3\u00a8 quello di rendere questo flusso di dati \u00e2\u20ac\u02dcvisibile\u00e2\u20ac\u2122 a coloro che possiedono dei dispositivi attivi. Questo apparecchio visualizzer\u00c3\u00a0 passivamente le varie frequenze dello spettro radio impiegate dai dispositivi di telefoni cellulari, Bluetooth, WiFi network, e da altri dispositivi mobili impiegati all\u00e2\u20ac\u2122interno di uno spazio delimitato. I dati saranno rappresentati da suoni che indicheranno l\u00e2\u20ac\u2122attivit\u00c3\u00a0, la distanza e la potenza dei segnali. <\/p>\n<p>Ricorrendo ai metodi per il monitoraggio di ampi network di computer, il risultato \u00c3\u00a8 quello di creare un \u00e2\u20ac\u02dcsuono\u00e2\u20ac\u2122 di sottofondo per uno spazio figurativo di persone, e dei loro dispositivi, il presente. <\/p>\n<p>L\u00e2\u20ac\u2122invisibile diventa intelligibile e perci\u00c3\u00b2 visibile, permettendocos\u00c3\u00ac all\u00e2\u20ac\u2122individuo di essere consapevole della propria costante connettivit\u00c3\u00a0.<\/p>\n<p>  <strong>Green Desert<\/strong><br \/>\nAndrei Tarkovsky&#8217;s film Nostalgia (1983) closes with a renowned travelling camera shot that gradually traverses the film space, tracking from images of Russian landscape in which the protagonist is framed to a final image of the interior of a Tuscan church. In the third phase of this uninterrupted shot, it can be seen that the church has no roof and is exposed to the influences of weather. The shot concludes with snow falling in a hybrid of interior and exterior. Another example of such hybrid style can be found in the Diesel Company&#8217;s advertising campaign Global Warming Ready (2006) which features images of spatial collage: for example, Mount Rushmore as a coastal cliff, and a Venetian scene in which colourful tropical parrots replace the ubiquitous pigeons. These very different visual effects combine a common theme: the association of two seemingly disassociated spaces in one place. The consequence of this type of catachresis is the revelation of specific socio-political problems that can be either complex, as in the example of the differing states of Russian and Western understanding of life found in Tarkovsky&#8217;s Tuscany, or half-serious, as in the example of the advertising campaign that wants to increase the global public awareness of environmental protection issues using shocking and attractive images of various ecosystems that have fallen out of balance. The theme of Pixxelpoint&#8217;s Green Desert refers to the controversial linkage of something beautiful and dead at the same time, the positive connotations of greenness combined with its absence in the desert. There is of course a way out of this quandary, though one solution remains limited to virtual technically-simulated reality. The second solution lies with the change of humanity and efforts to sharpen its sensitivity to the delicate balance of the environment that is not an object to be exploited but a complex and layered entity encompassing different worlds in the same geographic location, worlds that appear different to different eyes.<\/p>\n<p><strong>Zelena Pu\u00c5\u00a1&#269;ava<\/strong><\/p>\n<p>Film Nostalghia (1983) Andreja Tarkovskega se zaklju&#269;i s slavnim travalingom kamere, ki razkrije postopno prehajanje filmskega prostora iz podobe ruske pokrajine z glavnim junakom v okvirjajo&#269;o se podobo notranjosti toskanske cerkve. Zanjo se v tretji fazi nepretrganega posnetka izka\u00c5\u00bee, da je brez strehe in odprta za vremenske vplive, saj se prizor sklene s sne\u00c5\u00beenjem v tem hibridnem interjerju-eksterjerju. Drugi primer je reklamna kampanja podjetja Diesel Global Warming Ready (2006) s podobami prostorskih kola\u00c5\u00beev, npr. Gore Rushmore kot obmorske pe&#269;ine ali pa prizora barvitih tropskih papig v Benetkah namesto lete&#269;ih podgan. Sicer zelo razli&#269;ni konkretizaciji zdru\u00c5\u00beuje skupna tema, povezava dveh, na prvi pogled nezdru\u00c5\u00beljivih prostorov na enem mestu. Posledica tovrstne prostorske katahreze pa je praviloma razkritje specifi&#269;ne dru\u00c5\u00bebenopoliti&#269;ne problematike, ki je lahko kompleksnej\u00c5\u00a1a, kot v primeru raziskave razmerja med ruskim razumevanjem \u00c5\u00beivljenjskega sveta in zahodnja\u00c5\u00a1kim, ki ga predstavlja Toskana pri Tarkovskem, ali pa le na pol resna, kot v reklamni kampanji, ki \u00c5\u00beeli ozave\u00c5\u00a1&#269;ati globalne javnosti o problematiki varstva okolja s podobami \u00c5\u00a1okantnih in obenem privla&#269;nih ekosistemov, ki so \u00c5\u00bee zdavnaj padli iz ravnovesja. Tema Pixxelpointa &#8220;zelena pu\u00c5\u00a1&#269;ava&#8221; se nana\u00c5\u00a1a torej na kontroverzno povezavo ne&#269;esa sicer lepega vendar obenem mrtvega, s pozitivnimi pomeni zelenine, ki je v pu\u00c5\u00a1&#269;avi seveda ni. Ostaja pa seveda pot iz te zagate, vendar pa je predlagana mo\u00c5\u00benost omejena na virtualnost tehnosimulirane realnosti. Drugi izhod pa je sprememba v &#269;loveku, ki si s prizadevnostjo izostri posluh za krhko ravnovesje v svoji okolici, ki ni zgolj predmet za izkori\u00c5\u00a1&#269;anje, ampak preplet plasti razli&#269;nih svetov na isti geografski lokaciji, ti pa se ka\u00c5\u00beejo razli&#269;no razli&#269;nim o&#269;em.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sonification of You was part of 8th Pixxelpoint Festival (Green Desert), Nova Gorcia, Slovenia, December 2007. Curated by Narvika Bovcon and Ale\u00c5\u00a1 Vaupoti&#269;, organized by the city of Nova Gorica. Interaktivnost je postala ambient. Zaradi pove&#269;evanja omre\u00c5\u00beij in zmanj\u00c5\u00a1evanja naprav za sprejemanje in oddajanje posamezniki niso ve&#269; izolirani. Razli&#269;ne naprave za komuniciranje, ki jih vedno [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,21],"tags":[2826,2098,2099,2090,185,2104,2105,2093,2089,2106,2097,2092,2100,2107,2088,2102,873,836,2101,783,2091,845,2103,2095,2108,2094,2096],"class_list":["post-1374","post","type-post","status-publish","format-standard","hentry","category-public-output","category-sonification-of-you","tag-api","tag-bluetooth","tag-che","tag-corpo-umano","tag-curated","tag-delo","tag-dolo","tag-druge","tag-green-desert","tag-informacije","tag-ji","tag-jih","tag-ki-jih","tag-kot","tag-mobilni-telefoni","tag-mogo","tag-nova","tag-nova-gorica","tag-pove","tag-slovenia-2","tag-sobi","tag-sonification","tag-spektra","tag-ter","tag-tok","tag-tudi","tag-wifi"],"_links":{"self":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts\/1374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/comments?post=1374"}],"version-history":[{"count":7,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts\/1374\/revisions"}],"predecessor-version":[{"id":1912,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts\/1374\/revisions\/1912"}],"wp:attachment":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/media?parent=1374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/categories?post=1374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/tags?post=1374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}