{"id":2454,"date":"2016-03-06T17:47:44","date_gmt":"2016-03-06T16:47:44","guid":{"rendered":"http:\/\/greyisgood.eu\/notes\/?p=2454"},"modified":"2025-06-18T15:24:10","modified_gmt":"2025-06-18T14:24:10","slug":"you-are-here-broken-dimanche-press","status":"publish","type":"post","link":"https:\/\/greyisgood.eu\/notes\/2454","title":{"rendered":"You Are Here, Broken Dimanche Press"},"content":{"rendered":"\n<figure class=\"wp-block-image wp-duotone-default-filter\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"430\" src=\"https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/01.jpeg\" alt=\"You Are Here\" class=\"wp-image-2455\" srcset=\"https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/01.jpeg 560w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/01-150x115.jpeg 150w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/01-350x269.jpeg 350w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Prix Charlemagne pour la Jeunesse europ\u00e9enne 2010<\/p>\n\n\n\n<p>An investigation into modes of artistic and political production in contemporary Europe, through an investigation of work being produced in the locus of East and West twenty years after the Mauerfall in Berlin. Using Berlin as a prism, a series of texts and artworks by some of Europe&#8217;s finest practitioners are presented in a unique book-object that works through its own layout and design as a physical exhibition. <\/p>\n\n\n\n<p>You Are Here<\/p>\n\n\n\n<p>Ann Cotten<br \/>\nAnna Bro<br \/>\nAgnieszka Drotkiewicz<br \/>\nMartin John Callanan<br \/>\nVolha Martynenka<br \/>\nFrancesca Musiani<br \/>\nChristophe Van Gerrewey<br \/>\nUrszula Wozniak<\/p>\n\n\n\n<p>Edited by John Holten &amp; Line Madsen Simenstad<\/p>\n\n\n\n<p>Design by FUK laboratories TM<br \/>\n11 November, 2009<br \/>\nEnglish (with Polish, German, Belarussian, Danish)<br \/>\nISBN 978-3-00-028868-5<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prix Charlemagne pour la Jeunesse europ\u00e9enne 2010 An investigation into modes of artistic and political production in contemporary Europe, through an investigation of work being produced in the locus of East and West twenty years after the Mauerfall in Berlin. Using Berlin as a prism, a series of texts and artworks by some of Europe&#8217;s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27,1],"tags":[],"class_list":["post-2454","post","type-post","status-publish","format-standard","hentry","category-grounds","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts\/2454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/comments?post=2454"}],"version-history":[{"count":2,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts\/2454\/revisions"}],"predecessor-version":[{"id":2898,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts\/2454\/revisions\/2898"}],"wp:attachment":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/media?parent=2454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/categories?post=2454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/tags?post=2454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}