{"id":2460,"date":"2016-03-21T11:51:36","date_gmt":"2016-03-21T10:51:36","guid":{"rendered":"http:\/\/greyisgood.eu\/notes\/?p=2460"},"modified":"2025-06-18T15:23:26","modified_gmt":"2025-06-18T14:23:26","slug":"5th-moscow-international-biennale-for-young-art","status":"publish","type":"post","link":"https:\/\/greyisgood.eu\/notes\/2460","title":{"rendered":"5th Moscow International Biennale for Young Art \u2013 Departure of All"},"content":{"rendered":"\n<figure class=\"wp-block-image wp-duotone-default-filter\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1467\" src=\"https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5764.jpg\" alt=\"5th International Biennale of Young Art Moscow\" class=\"wp-image-2487\" srcset=\"https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5764.jpg 2048w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5764-150x107.jpg 150w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5764-350x251.jpg 350w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5764-768x550.jpg 768w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5764-1024x734.jpg 1024w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image wp-duotone-default-filter\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1422\" src=\"https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5769.jpg\" alt=\"5th International Biennale of Young Art Moscow\" class=\"wp-image-2488\" srcset=\"https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5769.jpg 2048w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5769-150x104.jpg 150w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5769-350x243.jpg 350w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5769-768x533.jpg 768w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5769-1024x711.jpg 1024w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image wp-duotone-default-filter\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1475\" src=\"https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5721.jpg\" alt=\"5th International Biennale of Young Art Moscow\" class=\"wp-image-2486\" srcset=\"https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5721.jpg 2048w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5721-150x108.jpg 150w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5721-350x252.jpg 350w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5721-768x553.jpg 768w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/DSC5721-1024x738.jpg 1024w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>87 young artists and art associations, representatives of 36 countries.<\/p>\n\n\n\n<p>According to the curator, the artists touch the most important problem of our time &#8211; environmental crisis, blurring the boundaries between &#8220;nature&#8221; and technology, the interaction of transparency and lack of transparency in the information age. We live in an era of discontinuity. If modernism was trying to get to the bottom &#8211; zero of painting, the basic structures of human psychology, and historical laws of economics &#8211; today we do not harbor such illusions. Naturally, now artists find inspiration in the uncertainty, ambiguity, ciphers and conspiracies, talking about instability and multi-dimensional.<\/p>\n\n\n\n<p>The main project of the 5th Moscow Biennale of Young Art with the theme Deep Inside will be shown from July 1 to August 10 at the Trekhgornij factory building, one of the oldest textile factories in Moscow. Moscow International Biennale for Young Art has been held since 2008, its founders and organizers &#8211; the Ministry of Culture, Department of Culture of Moscow, National Centre for Contemporary Arts and the Moscow Museum of Modern Art.<\/p>\n\n\n\n<p>The participating artists in the main exhibition &#8220;Deep Inside&#8221; include:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ozan Atalan, Turkey \u2014 USA<\/li>\n\n\n\n<li>Stacy Belevicheva, Ukraine<\/li>\n\n\n\n<li>Matilde Benmayor, Chile<\/li>\n\n\n\n<li>Julius von Bismarck, Germany<\/li>\n\n\n\n<li>Pamela Breda, Italy<\/li>\n\n\n\n<li>Vladislav Brut, Russia \/ Alisa Beketova, Kazakhstan \u2014 Russia<\/li>\n\n\n\n<li>Ekaterina Burlyga, Ukraine \u2014 Germany<\/li>\n\n\n\n<li>Olga Butenop, Russia<\/li>\n\n\n\n<li>Martin Callanan, Great Britain<\/li>\n\n\n\n<li>Noor Ali Chagani, Pakistan<\/li>\n\n\n\n<li>Julian Charri\u00e8re, Switzerland \u2014 Germany<\/li>\n\n\n\n<li>Revital Cohen, Israel \/ Tuur van Balen, Belgium \u2014 Great Britain<\/li>\n\n\n\n<li>Juan Covelli, Colombia \u2014 Great Britain<\/li>\n\n\n\n<li>Chris Coy, USA<\/li>\n\n\n\n<li>Mar\u00eda Dalberg, Iceland<\/li>\n\n\n\n<li>Jasmin Daryani, Iran \u2014 Sweden<\/li>\n\n\n\n<li>Petr Davydtchenko, Russia \u2014 Sweden \u2014 Great Britain<\/li>\n\n\n\n<li>Jonathan Doweck, Israel<\/li>\n\n\n\n<li>Liat Elbling, Israel<\/li>\n\n\n\n<li>H\u00fcseyin Mert Erverdi, Turkey<\/li>\n\n\n\n<li>Karin Ferrari, Italy \u2014 Austria<\/li>\n\n\n\n<li>Christian Fogarolli, Italy<\/li>\n\n\n\n<li>Verena Friedrich, Germany<\/li>\n\n\n\n<li>Veronika Geiger, Denmark \u2014 Switzerland<\/li>\n\n\n\n<li>Adam Gibney, Ireland<\/li>\n\n\n\n<li>Iuliana Golub, Ukraine<\/li>\n\n\n\n<li>Florian Goldmann, Germany<\/li>\n\n\n\n<li>Katharina Gruzei, Austria<\/li>\n\n\n\n<li>Logi Le\u00f3 Gunnarsson, Iceland<\/li>\n\n\n\n<li>Ali Jan Haider, Pakistan<\/li>\n\n\n\n<li>Elisabeth Haust, Russia \u2014 Czech Republic<\/li>\n\n\n\n<li>Joey Holder, Great Britain<\/li>\n\n\n\n<li>Marguerite Humeau, France \u2014 Great Britain<\/li>\n\n\n\n<li>Marc Johnson, France<\/li>\n\n\n\n<li>Graham Kelly, Great Britain \u2014 The Netherlands<\/li>\n\n\n\n<li>Daria Khlapova, Russia<\/li>\n\n\n\n<li>Felix Kiessling, Germany<\/li>\n\n\n\n<li>Paul Kneale, Canada<\/li>\n\n\n\n<li>Fabian Knecht, Germany<\/li>\n\n\n\n<li>Darya Koltsova, Ukraine<\/li>\n\n\n\n<li>Lilia Kosyreva, Russia<\/li>\n\n\n\n<li>Egor Kraft, Russia \u2014 Great Britain \u2014 Austria<\/li>\n\n\n\n<li>Ksenia Kuleva, Russia<\/li>\n\n\n\n<li>Joshua Leary (Evian Christ), Great Britain \/ David Rudnick, Great Britain \u2014 USA<\/li>\n\n\n\n<li>Juliana Cerqueira Leite, USA<\/li>\n\n\n\n<li>Ekaterina Lukoshkova, Russia<\/li>\n\n\n\n<li>Eli Maria Lundgaard, Norway<\/li>\n\n\n\n<li>Vlad Lunin, Ukraine \u2014 Canada<\/li>\n\n\n\n<li>Steve Maher, Ireland \u2014 Finland<\/li>\n\n\n\n<li>Nadja Verena Marcin, Germany \u2014 USA<\/li>\n\n\n\n<li>Maxime Marion, France \/ \u00c9milie Brout, France<\/li>\n\n\n\n<li>Zo\u00eb Claire Miller, USA \u2014 Germany<\/li>\n\n\n\n<li>Alice Miceli, Brazil \u2014 The Netherlands<\/li>\n\n\n\n<li>Marina Moskalenko, Russia \/ Tatiana Smirnova, Russia<\/li>\n\n\n\n<li>Lee Nevo, Israel<\/li>\n\n\n\n<li>Alisa Nikolaeva, Russia \u2014 France<\/li>\n\n\n\n<li>Ismael Ogando, Dominican Republic<\/li>\n\n\n\n<li>Tim Parchikov, Russia<\/li>\n\n\n\n<li>Pau Pahana, USA \u2014 Germany<\/li>\n\n\n\n<li>Claire Paugam, France \u2014 Iceland<\/li>\n\n\n\n<li>Davide Quayola, Italy<\/li>\n\n\n\n<li>Marina Ragozina, Russia<\/li>\n\n\n\n<li>Martin Reiche, Germany<\/li>\n\n\n\n<li>Rune Rasmussen, Denmark<\/li>\n\n\n\n<li>Farid Rasulov, Azerbaijan<\/li>\n\n\n\n<li>Paul Rosero Contreras, Ecuador<\/li>\n\n\n\n<li>Vesna Roha?ek, Croatia \u2014 Sweden<\/li>\n\n\n\n<li>Jeremy Santiago-Horseman, USA<\/li>\n\n\n\n<li>Hadas Satt, Israel<\/li>\n\n\n\n<li>Dagmar Sch\u00fcrrer, Austria \u2014 Germany<\/li>\n\n\n\n<li>Julia Selin, Sweden<\/li>\n\n\n\n<li>Jura Shust, Belarus \u2014 Belgium<\/li>\n\n\n\n<li>Rustan S\u00f6derling, Sweden \u2014 The Netherlands<\/li>\n\n\n\n<li>Emmy Skensved, Canada \u2014 Germany \/ Gr\u00e9goire Blunt, Canada \u2014 Germany<\/li>\n\n\n\n<li>Joe Sobel, USA \u2014 France<\/li>\n\n\n\n<li>Wilf Speller, Great Britain<\/li>\n\n\n\n<li>Yulia Spiridonova, Russia<\/li>\n\n\n\n<li>Arya Sukapura Putra, Indonesia<\/li>\n\n\n\n<li>Natalia Tikhonova, Russia<\/li>\n\n\n\n<li>Alvaro Urbano, Spain \u2014 Germany<\/li>\n\n\n\n<li>Ivar Veerm\u00e4e, Estonia \u2014 Germany<\/li>\n\n\n\n<li>Martin Volman, Argentina \u2014 Germany<\/li>\n\n\n\n<li>Addie Wagenknecht, USA \u2014 Austria<\/li>\n\n\n\n<li>Beny Wagner, Germany \u2014 USA<\/li>\n\n\n\n<li>Andrew Norman Wilson, Germany \u2014 USA<\/li>\n\n\n\n<li>Helga Wretman, Sweden \u2014 Germany<\/li>\n<\/ul>\n\n\n\n<p>The fifth Moscow Biennale for Young Art, taking place this summer for six weeks only from July 1-August 10, today announced the participants of the main project &#8220;Deep Inside,&#8221; curated by Berlin-based independent curator Nadim Samman, who co-organized the fourth Marrakech Biennale in 2012. More recently, Samman was also a curator at the TBA-21 Academy, a branch of the Thyssen-Bornemisza Contemporary foundation in Vienna, and oversaw the Antarctic Pavilion at the 14th Venice Architecture Biennale in 2014.<\/p>\n\n\n\n<p>Taking place in the Trekhgornaya Manufaktura, one of Moscow&#8217;s oldest textile mills, the main exhibition will feature 87 works by 93 artists, selected from over 2000 applications, under the curatorial focus of tackling recent issues in ecology and economics. The project will also tackle questions regarding the dangers presented by new technologies and social instability.<\/p>\n\n\n\n<p>&#8220;Ours is the time of fissures, of prying apart, of penetration and cavities,&#8221; Samman said in a statement. &#8220;We are climbing, or falling, ever deeper into a kind of black hole. As we do, it is perhaps to be expected that artists should be fascinated by opacities, by occultations, encryptions and conspiracies\u2014the other side of the event horizon. Also, that they should rhapsodize about instability and polydimensionality. Deep Inside is a view from the chasm,&#8221; he explained.<\/p>\n\n\n\n<p>The Moscow Biennale for Young Art was first held in 2008, and grew from the combined efforts of the National Centre for Contemporary Arts (NCCA) and the Moscow Museum of Modern Art (MMOMA) to offer a platform for emerging artists. Now in its fifth iteration, the biennale\u2014commissioned by Ekaterina Kibovskaya\u2014continues its mission to draw attention to a new generation of artists representing recent developments in the global art community.<\/p>\n\n\n\n<figure class=\"wp-block-image wp-duotone-default-filter\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/Trehgornaya_manufacture_bldg-5.jpg\" alt=\"Trehgornaya_manufacture_bldg-5\" class=\"wp-image-2465\" srcset=\"https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/Trehgornaya_manufacture_bldg-5.jpg 600w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/Trehgornaya_manufacture_bldg-5-150x100.jpg 150w, https:\/\/greyisgood.eu\/notes\/wp-content\/uploads\/2016\/03\/Trehgornaya_manufacture_bldg-5-350x233.jpg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"http:\/\/artguide.com\/news\/3880\">Press announcement<\/a><br \/>\n<a href=\"https\/\/news.artnet.com\/art-world\/moscow-biennale-for-young-art-456779\">Artnet News article<\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/artforum.com\/diary\/id=62200\" target=\"_blank\">Article in ArtForum<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>87 young artists and art associations, representatives of 36 countries. According to the curator, the artists touch the most important problem of our time &#8211; environmental crisis, blurring the boundaries between &#8220;nature&#8221; and technology, the interaction of transparency and lack of transparency in the information age. We live in an era of discontinuity. If modernism [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,2696],"tags":[],"class_list":["post-2460","post","type-post","status-publish","format-standard","hentry","category-public-output","category-departure-of-all"],"_links":{"self":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts\/2460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/comments?post=2460"}],"version-history":[{"count":10,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts\/2460\/revisions"}],"predecessor-version":[{"id":2897,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts\/2460\/revisions\/2897"}],"wp:attachment":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/media?parent=2460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/categories?post=2460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/tags?post=2460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}