{"id":2730,"date":"2017-09-16T15:07:39","date_gmt":"2017-09-16T14:07:39","guid":{"rendered":"http:\/\/greyisgood.eu\/notes\/?p=2730"},"modified":"2025-06-18T14:56:30","modified_gmt":"2025-06-18T13:56:30","slug":"virtualities-and-realities-rixc-art-science-festival","status":"publish","type":"post","link":"https:\/\/greyisgood.eu\/notes\/2730","title":{"rendered":"Virtualities and Realities,  RIXC Art Science Festival"},"content":{"rendered":"\n<p>Riga, October 19 \u2013 21, 2017<\/p>\n\n\n\n<p><a target=\"_blank\" rel=\"noreferrer noopener\" href=\"http:\/\/virtualitiesandrealities.rixc.org\/\">http:\/\/virtualitiesandrealities.rixc.org\/<\/a><\/p>\n\n\n\n<p><strong>VIRTUALITIES AND REALITIES<\/strong> is the theme of this year\u2019s RIXC Art Science festival in Riga, Latvia, that aims to establish a space for artistic interventions and conversations about the complex implications of immersive technologies.<\/p>\n\n\n\n<p>RIXC Festival is an internationally renowned gathering for artists and scholars working at the intersection of arts, digital humanities, and science. This year\u2019s festival program features Public Keynotes, the 2nd Open Fields Conference, Exhibitions, Performances, and AR\/VR Showcases.<\/p>\n\n\n\n<p>The main festival events will take place from October 19\u201321, 2017, in some of Riga\u2019s most visible art venues \u2013 the Conference will take place in the Art Academy of Latvia and the Latvian National Museum of Art, while the exhibitions \u2013 in kim? Contemporary Art Centre and RIXC Gallery spaces.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">FESTIVAL EXHIBITION<\/h2>\n\n\n\n<p>Dates: October 19 \u2013 November 28, 2017<\/p>\n\n\n\n<p>Venue: kim? Contemporary Art Center, Sporta iela 2, Riga<\/p>\n\n\n\n<p>The main festival exhibition will feature the most innovative artworks that experiment with augmented and virtual reality, create immersive environments, and explore complex relations between the \u201cvirtualities\u201d and \u201crealities\u201d of our post-media society with its networked communities and migrating cultures.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">VIRTUALITIES AND REALITIES Exhibition Artists:<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Marc LEE (Switzerland)<\/li>\n\n\n\n<li>Jacques PERCONTE (France)<\/li>\n\n\n\n<li>Juuke SCHOORL (the Netherlands)<\/li>\n\n\n\n<li>Brenna MURPHY (USA)<\/li>\n\n\n\n<li>Hans BREDER (USA)<\/li>\n\n\n\n<li>Clement VALLA (USA)<\/li>\n\n\n\n<li>Matteo ZAMAGNI (United Kingdom)<\/li>\n\n\n\n<li>Zane ZELMENE (Latvia)<\/li>\n\n\n\n<li>The Swan Collective (Germany)<\/li>\n\n\n\n<li>Annie BERMAN (USA)<\/li>\n\n\n\n<li>Felipe CUCKER and Hector RODRIGUEZ (Hong Kong)<\/li>\n\n\n\n<li>Gunta DOMBROVSKA (Latvia)<\/li>\n\n\n\n<li>Martin John CALLANAN (United Kingdom)<\/li>\n\n\n\n<li>Nina FISCHER and Maroan EL SANI (Germany)<\/li>\n\n\n\n<li>Santa FRANCE (Latvia)<\/li>\n\n\n\n<li>Greta HAUER (United Kingdom)<\/li>\n\n\n\n<li>Martin HESSELMEIER and Andreas MUXEL (Germany)<\/li>\n\n\n\n<li>Raphael KIM (United Kingdom)<\/li>\n\n\n\n<li>Michal KINDERNAY (Czech Republic)<\/li>\n\n\n\n<li>Christopher MANZIONE and Seth CLUETT (USA)<\/li>\n\n\n\n<li>Andrew MCWILLIAMS (USA)<\/li>\n\n\n\n<li>Melodie MOUSSET and Naem BARON (Switzerland)<\/li>\n\n\n\n<li>Martin REICHE (Germany)<\/li>\n\n\n\n<li>Hanns Holger RUTZ (Austria)<\/li>\n\n\n\n<li>Julia SOKOLNICKA (Poland\/the Netherlands)<\/li>\n\n\n\n<li>Danielle ZORBAS (Australia)<\/li>\n<\/ul>\n\n\n\n<p><strong>Curator:<\/strong> Raitis SMITS \/ RIXC<\/p>\n\n\n\n<p><a href=\"http:\/\/virtualitiesandrealities.rixc.org\/\">http:\/\/virtualitiesandrealities.rixc.org\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Riga, October 19 \u2013 21, 2017 http:\/\/virtualitiesandrealities.rixc.org\/ VIRTUALITIES AND REALITIES is the theme of this year\u2019s RIXC Art Science festival in Riga, Latvia, that aims to establish a space for artistic interventions and conversations about the complex implications of immersive technologies. RIXC Festival is an internationally renowned gathering for artists and scholars working at the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2849],"tags":[],"class_list":["post-2730","post","type-post","status-publish","format-standard","hentry","category-five-pound-banknote-reconstructed"],"_links":{"self":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts\/2730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/comments?post=2730"}],"version-history":[{"count":4,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts\/2730\/revisions"}],"predecessor-version":[{"id":2876,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/posts\/2730\/revisions\/2876"}],"wp:attachment":[{"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/media?parent=2730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/categories?post=2730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greyisgood.eu\/notes\/wp-json\/wp\/v2\/tags?post=2730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}