Artcast // Autumn 2018
Martin John Callanan (UK), Gregory Chatonsky (FR), Ben Grosser (US), Thorsten Knaub (UK), Antoine Schmitt and Delphine Doukhan (FR), Carlo Zanni (IT)
Curator: Pau Waelder
In his influential book Expanded Cinema (1970), Gene Youngblood stated that, while cinema had been, until then, created with all sorts of technological devices, these were no more than tools under the control of the artist. But computers are able to go beyond such passive participation: images and sounds are introduced in the computer or created with software and therefore converted into data, that can be endlessly processed, copied, reconfigured, mixed and displayed according to fixed parameters or algorithms. The computer becomes an active participant. Inspired by the term “data cinema”, coined by Carlo Zanni to refer to the use of cinematic language to create a fiction based on the data obtained in real-time from the Internet, this selection of video and digital artworks explores the possibilities of using the content of a film as raw data that feeds a process partly or fully controlled by a computer, as well as new forms of understanding cinema in the digital age.