encoding_experience/ is the first of a series of exhibitions inspired by the ways in which artists are embracing critical, hands on interventive strategies towards the understanding of, and experimentation with media. The artists in the show open up issues of privacy, piracy and control, paradigms that are deeply embedded into technology and the way technology is designed. Most of the artists favour a collaborative, socio-centric approach to their work. They have an agenda about thinking through questions such as; Where does the technology come from? What is the real use of a computer? What are the social issues around regular access to domestic machines i.e. game consoles, home stereos and digital cameras. How do we use and question systems that tirelessly reproduce and augment environments, image and sound?
Actively engaging with conceptual concerns, DaDa-esque notions of performance, hacking and intellectual property; encoding_experience presents an insight into how electronic media and craft knowledge operates in current art practice, not only in terms of its functionality, but also in regards to artists who have a critical approach towards the politics, aesthetics and ecconomies coded into these systems.
Aesthetics, Art Practice, Callanan, Centric Approach, Conceptual Concerns, Control Paradigms, Critical Approach, Current Art, Digital Cameras, Electronic Media, Exhibitions, Favour, Home Stereos, Notions, October 31, Piracy, Social Issues, University Of Tasmania, University Of Tasmania Australia, Way Technology